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Oh! For the Good Old Tunes

RECITAL of Debussy songs comes our way but rarely. We are familiar enough with this composer’s piano works; and three times lately we have had what an acquaintance of mine insists upon referring to as the Torpedoed Cathedraltwice performed as written, for piano, and once conducted by Leopold Stokowski in an unfortunate orchestral arrangement by that same conductor, an

afrangement which seemed merely to make confusion worse confounded. Meda Paine’s recital of Debussy songs from 4YA was unusual and beavtiful, including "Lia’s Air,’ "Romance," and an exquisite little fragment, "Mandoline." It is over thirty years since Debussy’s death, time enough for us to be familiar with his intimate impressionism; but we hear his songs so seldom that they strike the ear as. something in a strange unearthly medium, far removed from the familiar style of Schubert and Schumann. Similarly, although its audience would be confined to a few connoisseurs, a little of "Pelleas and Melisande" would provide a welcome contrast to the too-familiar scores of "Faust" and "Trovatore."

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
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Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19450518.2.29.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 12, Issue 308, 18 May 1945, Page 14

Word count
Tapeke kupu
174

Oh! For the Good Old Tunes New Zealand Listener, Volume 12, Issue 308, 18 May 1945, Page 14

Oh! For the Good Old Tunes New Zealand Listener, Volume 12, Issue 308, 18 May 1945, Page 14

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