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Turnabout

E would all know what to expect from anything labelled "Paderewski at the Piano," but it was with a sense of adventurous expectancy that I tuned to "Arthur Askey at the Piano"-a description too promising to be missed. Askey does play the piano in this record, and plays it himself, as he is at great ‘pains to assure us. It purports to be Askey’s Portfolio Method, and the least said about this the better. A sketchy performance of Rachmaninoff’s Prelude in C Sharp Minor proves that the comedian can actually play not too badly, but after the solemn introduction he ceases carelessly with the glib explanation that "well, it gets a bit tricky after that." What I should like to hear would be not only comedians performing on instruments sacred to the musical fraternity, but pianists doing ten minutes of what Claude Hulbert lugubriously describes as "funny patter’; Walkyrian sopranos singing "Beat Me Daddy, Eight

to the Bar’; and Frank Sinatra attempting Mendelssohn’s "I Am a Roamer." We should then know for certain whether musicians have a sense of humour, whether prima donnas are snobs, and, most important of all, whether Sinatra can actually sing.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19450323.2.17.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 12, Issue 300, 23 March 1945, Page 8

Word count
Tapeke kupu
196

Turnabout New Zealand Listener, Volume 12, Issue 300, 23 March 1945, Page 8

Turnabout New Zealand Listener, Volume 12, Issue 300, 23 March 1945, Page 8

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