THEY LISTEN AND READ
Radio Popularises Literature
OES the broadcasting of : stories adapted to the radio from well-known books increase the public desire to read those books? This is what The Listener set out to discover the other day. Booksellers we interviewed were of one opinion. Classic literature gains a great deal in popularity through the broadcasting of book adaptations. Thisis reflected in the demand for a book cutrently dramatised over the air, The popularity may be only temporary, but it is strong, and the demand, during the life of the serial, is insistent. Instances are: John Halifax, Gentleman, Dt, Jekyll and Mr. Hyde, East Lynne, Little Women, The Count of Monte Cristo, The Moonstone, Paul Clifford and The Woman in White. Some of these, of course, were 19th and 20th century stage plays adapted from books and then transcribed for radio. Many of them have:also been made into films — another potent factor in their popularity with the modern readingpublic. Big Demand: "Poor Supply Booksellers are up against the difficulty of securing stocks. Not until after the war, some of them say, will there be anything like an adequate supply. It may be assumed that broadcasting is having a definite effect upon the mass taste in reading and that, generally, it is beneficial. For instance, a listener may, for one reason or another, miss an instalment of a serial. Immediately he seeks a copy of the book to bring his listening up-to-date. Books are not broadcast in their entirety. Rather are they dramatised to secure the greatest effect. Again, we weéfe told, there are many listeners who, having heard the radio version, desire to go over the whole story at their leisure. Here again, the bookseller is up against the ‘problem of i — oa
One man told us that as soon as it was announced that Dorothy Sayers’ The Man Born to be King would be broadcast here, the demand for the book of the plays (in this case written specially for radio) was such that every copy was sold out in a few days. Another suggested a link-up between broadcasting and the bookselling trade. "My idea," he said, "is that if booksellers could have ample notice in advance that a well-known tale was to go over the air, then they could possibly affange te secure copies to meet the certain demand." That, however, was outside our province, so we next directed our inquiries to librarians. They all had much the same story to tell: that their system for bespeaking books is used very much whenever a book is put over the air in serial form. Comparison With Films After we had talked with the people behind the counters of two or three ordinary bookshops, and discovered that most of the books that come into demand through broadcast versions are classicsthe reason being that the copyright on such work has expired, and therefore they are popular with radio producers- we decided to look in at a second-hand shop. And there, of course, we found that Pride and Prejudice or John Halifax, Gentleman are just as tare as they are in other shops. While the new-book shops consider themselves lucky if they open a parcel of a dozen nowadays, when once it would have been a couple of hundred, the second-hand shop is pleased when one copy comes in every now and again that can be put away for a persistent inquirer. One idea that came out in the secondhand shop was interesting. People who go to a film based on a book, whether it is Mission to Moscow or The ‘Count of Monte Cristo, don't seem to be so anxious to get the book as people who have heard part of a radio serial. (continued om next page)
(continued from previous page) "They see the film," we were told, "and they seem to have had enough; but if they are hearing a serial, they don’t get so much at a time, and I suppose they get impatient and want to find out what happens, or they miss some and want to fill in the gap, or perhaps they just want the satisfaction of knowing more of the background of the story; because all the serials are abridged a lot, aren't they?" Schoolboys’ Interest The effect of radio serials oh boys’ treading was referred to by the rector of the Southland Boys’ High School (Dr. G. H. Uttley) in his annual report at the recent breaking-up ceremony. At the beginning of the year, a complete set of Jane Austen’s novels had been placed on the school library shelves, Dr, Uttley said. During the year there had been a steady demand for these books, although Jane Austen was not a writer one would expect to interest boys. Inquiry showed that the radio serial of one of her novels, Pride and Prejudice, had aroused keen interest in this writer’s other novels, and there had been a good demand for them,
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19450223.2.21
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New Zealand Listener, Volume 12, Issue 296, 23 February 1945, Page 10
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827THEY LISTEN AND READ New Zealand Listener, Volume 12, Issue 296, 23 February 1945, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.