DIVORCE IN SERIALS
Sir,-I listened to a story from 2ZB in which divorce was thrown out as a bait to attention. Instead of the usual story of a lover.deserting his poor wife for another woman, this story showed a vindictive, revengeful wife and a happy ending for the lovers. Because the basic factor of interest in novels, films and radio dramas is self identification with heroes and heroines, I suggest that such stories are extremely dangerous. A person of weak will who will flout social standards to break up a marriage is likely to clutch at any suggestion that is likely to offer self-justification, Granted, this particular episode might not have a far-reach-ing effect, but what if the topic of divorce were to drop out of our radio serials..ilms and light literature? If it was pot frequently thrust before young people, and if happy restoration of the married state could be achieved when it was dragged into the story, surely the psychological effect would be more beneficial to society than the psychological effect of such stories as I have just heard. So much is presented in radio serials that portrays happy family life that sufficient of this and less of divorce must in time have definite effect
for good _in’ society.
MINOR
(Well-
ington).
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19450126.2.10.4
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 12, Issue 292, 26 January 1945, Page 5
Word count
Tapeke kupu
214DIVORCE IN SERIALS New Zealand Listener, Volume 12, Issue 292, 26 January 1945, Page 5
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.