TO LONDON AND BACK WITH THE PRIME MINISTER
Mrs. Fraser Tells Us Some "Little Things"
HILE the Prime Minister was away recently, the newspapers kept New Zealand informed of all the important things that happened during his travels. Cables and paper were not spared, though, for any of the unimportant things, and soon after the party returned, The Listener decided that Mrs. Fraser might be persuaded to talk about the little things, from the comforts and discomforts of wartime air travel to the ordinary everyday observations in post-D-day London, from the snatches of conversation in
hotels to the occasional moments spent by the radio. We might have had our interview a few days earlier if Mrs. Fraser had not had a very bad cold when we first approached her. But the other day our representative sat with her by the fire in a room which has one of the best harbour views in Wellington, and the conversation that took place was something like this, with the difference of course that a pleasant Scots accent is one of the attractions of Mrs. Fraser’s speech: * * * "\7ELL ‘now, what is it you want me to tell you? I don’t think I’m any good at this sort of thing. I think you’d better tell me what it is you want me'to say and then I'll tell you if it’s all right!" : "Say we start at the beginning-you flew across the Pacific; what was that like? How did you pass the time?" "What was it like? Well, you know these bombers — they’re very noisy, they’re not lined at ‘all. Just everything Tipped out of the inside and seats put in. We were made comfortable of course, but the noise! And you couldn’t sleep, because there were no bunks er anything like .that. You ,couldn’t see out éithér, because the" windows are so high up; but it would have made no difference if you could, because ‘there was only the water. So you just had to read and think till you came to an island."
"And you flew across the States, too?" "Oh, yes. That was different of course. We had to fly very high over the Rockies, and there was oxygen if you ‘vanted it. Some had a touch of oxygen." "What about Washington? Where did you stay when you were there?" "My husband and I were at the Legation, the rest stayed at the Stadler Hotel. But you know all that." "Yes, but you’ve been there and I haven’t. Perhaps you noticed something about the housekeeping difficulties . . .?" Across the Atlantic "You don’t notice these things at all unless you’re housekeeping yourself. We didn’t have ration books for the short time we were there, and I don’t remember noticing a shortage of anything in America. There were supposed to be certain meatless days, but I didn’t notice them or else I don’t remember. I like to live and take notice of the interesting things that are going on. Where are we now? Washington. Oh yes, then we flew across the Atlantic, in a Liberator this time. We could have waited for a few days to go in a regular plane, what they call the Clipper, but my husband wanted to get there a few days before he had the conferences, so we had to go in a Liberator. That was a long, long journey. We had to have special clothes, sheepskin-lined boots, uniform and so on, a helmet, and an oxygen mask. You can’t sleep very well because you keep wondering whether this thing’s going to fall over or not." : "It sounds dreadful." "Oh no, don’t say it’s dreadful! I wouldn’t like you to say that. They were so kind, the crews. They were wonderful fellows, all of them, and they did their very best to make us comfortable. I wouldn’t like them to think it was not appreciated." There was a pause, and then somehow we were talking about London. "We know about the official engagements you had; but did you go shopping at -all?" "Well, I was fairly busy, but, even if I’d had the time, it wouldn’t have been fair to go out buying up goods, because they’re very short of things themselves. The one time I did walk through a shop was when some of our boys were having tea on the roof of a big draper’s shap in London and they asked me to go along and say a few words. It was a big*shop, and on the roof they had a garden, with quite large trees growing, and fountains-I’d never seen the equal of it. I walked through the store with the boys-they were doubtful-but when they got on the roof and saw all thiswell! I didn’t buy anything myself, but the boys, they were all after a present for Mum, That was just about the only day I was in a shop. "But oh, I’ll tell you something. You come from a radio paper; you'll be interested in this. It was absolutely amazing! When I was in London, everyone I met, (continued on next page)
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tio matter who, it seemed, wanted to hear this radio session, what do they call it? The ‘Brains Trust.’" "Oh, the ‘Brains Trust.’" "Yes. Every Tuesday. It was astounding. Everyone I knew would say, ‘Oh, I must rush home now. I have to hear the Brains Trust.’ Well, you know, I don’t know how. anyone could be bothered answering some of the questions they asked, or spend time or money on it. Do you think it’s so very very wonderful?" "I have heard it sisdsbtheints, and I found it interesting, but I wouldn’t say it’s very wonderful. It’s the same thing that we hear on the local stations sometimes." "That’s it. It’s the very same. Do you know: I didn’t notice so very much difference between broadcasting there and broadcasting here. It’s just the same. You get the same war news and the same Brains Trust, and the same music. Are you interested in music? I’ve got something here I can show you." Beethoven and Bliss Mrs. Fraser got up and came back with a programme, a concert by the BBC Symphony Orchestra which she had been to. It named two works, Beethoven’s Seventh Symphony and Arthur Bliss’s Symphony for orchestra, chorus, and orator: "Morning Heroes." It is an elaborate and striking setting of a war anthology, a selection of war poems from Homer to modern English. poets. "The people I went with had a box. They said, ‘You'll like the Beethoven, but the other thing is modern.’ Well, you’ve heard of Arthur Bliss, I suppose. This ‘Morning Heroes’ was the second half of the programme, and it was the most moving, most powerful thing. The orchestra was the BBC Symphony Orchestra, and the orator-well! You know the idea of the thing? I thought it was grand, and in the Albert Hall, so spacious, it was just the right setting. It was so unusual, but so simple, and so moving." The conversation got back to people, and the New Zealanders Mrs. Fraser had met. Not only New. Zealanders, but English people, who peppered her with questions about this country. Women, and newspapermen too, had wanted to know what prospects there would be if they came here. "I said to them all, ‘Well, we’ve got our own clever young people coming along, and they are very clever.’ In fact, I just told them there’s no use anyone thinking he can step straight into a big job. In time I found I was becoming a most aggressive New Zealander, though actually there’s no need to-New Zealand’s what so many call Exhibit A over there, and you’ve no need to stand up for it. "I don’t think there’s anything else of interest I can. tell you that you don’t know about. Well, I can tell you about a very special branch of the Red Cross, where there were two New Zealand girls working. This was the Foreign Relations Department of the Red Cross. Their job is to help refugees in England to get news of relatives in occupied countries. They started with a mere handful, and now they’ve 300. There were two New Zealand girls, both of Dunedin, Miss ~ McKellar and Miss Thompson, and one was secretary to the director. It’s very striking how everywhere you go there seem to be New Zealanders in key positions."
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New Zealand Listener, Volume 11, Issue 268, 11 August 1944, Page 18
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1,404TO LONDON AND BACK WITH THE PRIME MINISTER New Zealand Listener, Volume 11, Issue 268, 11 August 1944, Page 18
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.