AnOTHER NATIONAL ACHIEVEMENT 8Beags Now Publish MUSIC in New Zealand In keeping with Begg' S progressive policy, they have arranged with oversea Music Publishers to publish their leading numbers in New Zealand, enabling Begg' S to maintain the standard of service that the musical public have come to expect: Here are some of our special recommendations in Piano arrange- ments from our comprehensive stock for the benefit of learners; advanced players, and teachers. PIANO TUTORS_ Wonderful Value in these Simply 66 A Child'$ Primer (Rolfe) 4/- Arranged Marches and Novelties Eclipse Tutor Ideal for Children and Adults 4/ for the Piano. 66 Kennedy Tutor. Very popu- 66 Varsity Spirit 0} (March) 1/3 lar with Teachers 4/ Ambassador (March) 1/3 World-famous and Ever-popular 66 Vanguard 9, (March) 1/3 Novelty Piano Solos for the 64 Field of Honour 0} (March) 1/3 More Advanced. 66 A Sunshiny Day 9 (Novelty) 1/3 06 China Doll Parade J 2/6 66 Fireflies O4 Parade 2/6 The Thunder Storm (Novelty) (6 1/3 Marigold 2/6 Dance of the Robins 2/6 Hop Scotch 01 (Novelty) 1/3 66 Nola 39 2/6 D Also Polly 2/6 Theme from 6 The Warsaw 6 Pianos on Parade An Concerto: The most sene Album containing 8 simple sational number published arrangements of National in recent years 3/6 Airs, all for 2/6 Postage 1d per copy extra CUT OUT this advertisement; mark the numbers that appeal to you, and take or send it to your regular Music Dealer; or any of Begg' 8 Branches: Auckland Palmerston Nth Wellington Nelgon Christchurcb gBeagy Timaru Dunedin Oamaru Hamilton ThE MUSICAL & ELECTRICAL CENTRE Lavercargiv Music builds Morale in War time:"
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19440310.2.14.1
Bibliographic details
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New Zealand Listener, Volume 10, Issue 246, 10 March 1944, Page 10
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271Page 10 Advertisement 1 New Zealand Listener, Volume 10, Issue 246, 10 March 1944, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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