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OPERA COMMENTARIES.

| Sir,-It must be disheartening for a writer of Opera Commentaries to have his good work criticised, but I think the point most of the critics have tried to make has been overlooked by those who have defended the system of presenting operas, My objection is that the commentator intrudes too much. Would not a short summary before each Act be sufficient explanation to those who are not familiar with the work? To the many who know the operas it is extremely annoying to have to strain to hear a song behind the commentator’s voice. In this way some of the most beautiful phrases are lost, and even when the commentator has the air to himself his too: frequent interruptions shock the listener out of his enjoyment of the music.

G.

C.

' (Auckland).

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19430827.2.8.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 9, Issue 218, 27 August 1943, Page 3

Word count
Tapeke kupu
134

OPERA COMMENTARIES. New Zealand Listener, Volume 9, Issue 218, 27 August 1943, Page 3

OPERA COMMENTARIES. New Zealand Listener, Volume 9, Issue 218, 27 August 1943, Page 3

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