GOOD AND BAD MUSIC
Sir,-I sympathise with "Old Bandsman." As one who became at an early age passionately fond of so-called "good" music, I can understand his feeling of futility on calmly surveying what is now generally looked upon as being desirable. Although trembling in awe before his tremendous achievement in associating with bands for "some 40 years," and feeling that such fortitude deserved a more worthy reward, I meekly suggest that the blaring, peeping and hollow bellowings of his beloved bands do little to further the cause of "good" music. Most people are now sensible enough | not to»pretend to like what they do not listen to, and if many derive pleasure from swing and crooning it is advisable to remember that everything is a matter of taste. I understand that the most accurate definition of taste is that "a person of good taste is one who habitually approves of all great works." By the same reasoning it is apparent that "great works" are those which are habitually approved of by persons of good taste. It is, therefore, not reasonable for a worshipper of one variety of noise to condemn the. worshippers other varieties.
HANS
SACHS
(Day’s Bay).
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19430813.2.9.3
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 9, Issue 216, 13 August 1943, Page 3
Word count
Tapeke kupu
198GOOD AND BAD MUSIC New Zealand Listener, Volume 9, Issue 216, 13 August 1943, Page 3
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.