S« HE children are the BBC’s chosen people," according to Tom Harrisson’s radio column in the English Observer: "The educational and children’s hour programmes have maintained a steady, sensible standard without providing anything remarkable or sensational. . . Some of the best broadcasters speak in the juvenile periods. In several respects — especially serious and topical talks-grown-ups are comparatively ill served." Can we say the same about New Zealand children? Have we anything to compare with the excellent history talks
of Rhoda Power? Or the Parliamentary series of Megan Lloyd George. who not only introduces children to Parliament in a friendly and amusing way, but also relates her talks to the future responsibilities of her young listeners? Or take it from this angle. The BBC provides Nature talks and five-minute chats which go by the name of "Field Fare." The speakers who give talks in the Senior English programme include well-known writers like L. A. G. Strong. Do we approach this, or seriously aim at it?
Our country is smaller. We have fewer illustrious names and able heads to draw upon for any sessions, let alone sessions for children. But are we giving the best that can be got here? * % Ed OU may argue that a great part of the daily programmes are suitable for children of one age or another. Children listen to popular numbers, to crooning, to serials, to the news, to gardening talks. In fact they soon develop the habit, still common to many households, of having the radio on all the time and pricking up ears only when something happens to tickle the ear-drum. Is this so? Is it all right that
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19430813.2.27
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 9, Issue 216, 13 August 1943, Page 12
Word count
Tapeke kupu
273Untitled New Zealand Listener, Volume 9, Issue 216, 13 August 1943, Page 12
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.