CAVALCADE OF ~Ihe Story; cf Music iin New_ Zealand MUSIC IN N.z: is the Histovy cf Beges No. 3: 1881-1890 The Gilbert & Sullivan Operas In the history of music and the stage there has been nothing to rival the series of operas produced between 1877 and 1889 by W S Gilbert and Sir Arthur Sullivan. The operas won immediate public favour, not only in England but in America and in the Colonies. New Zealand playgoers saw and heard Gilbert and Sullivan presented by first-class opera companies, while Begg' 8 have supplied music lovers with sheet-music of the favourite songs and melodies. Here is the order in which the Gilbert and Sullivan operas were produced: 1877, The Sorcerer; 1878, AMS Pinafore; 1879, The Pirates of Penzance; 1881, Patience; 1882, Iolanthe; 1884, Princess Ida; 1885, The Mikado; 1887, Ruddigore ; 1888, The Yeoman of the Guard; 1889, The Gondoliers. The favourite tunes and songs are among the music that will never die: Go T0 (8eg6s- FIRST ! May the day be not far distant when New Zealand will again be welcoming theatrical companies and when Begg' S shelves will once more be fully stocked with the musical scores of comic operas new and old, and piled high with sheet music and recordings. Whilst envisioning the glad days ahead for music- gBeaas lovers, when ships can again travel with safety to OuI shores, Begg' S are carrying on their war-time service to the public with resource and energy- Stocks are limited, of course, but if enterprise can secure you the music you want; you']l be able to get it at THE MUSICAL & ELECTRICAL CENTRE Begg' Sa Invest Your Surplus Cash in National Auckland, Wellington, Christchurch, Dunedin, Palmerston War Savings North, Nelson, Timaru, Oamaru, Invercargill
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19430611.2.22.2
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New Zealand Listener, Volume 8, Issue 207, 11 June 1943, Page 10
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289Page 10 Advertisement 2 New Zealand Listener, Volume 8, Issue 207, 11 June 1943, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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