TOTE-WORSHIP
The Horse That Lays The Gioiden Egg
Has austerity reached the race-courses? Do women wear last year’s dresses? Are bettors more cautious than in pre-war days? We sent our representative to a holiday race meeting to look and listen around.
In the tram: "George is very fussy about races in war-time; says I should be staying at home, investing the money in Nationel Savings or something. But what’s the good? What good can I do moping about at home? I might as well be out having a bit of fun and making a quid or two." * ok * Outside the 10/- windows the queues were as long as if there were silk stockings for sale; but there were also hundreds pushing up to £1 and £5 windows. Here was an old woman, dusty black clothes, 10-year old hat, black stockings and broken shoes, fishing out £5 notes from a black purse that she carried in a string bag; and here were the usual Chinese, all in navy blue suits, with their marked cards and their rolls of notes done up with rubber bands. * * * "My dear! I just had a marvellous win. Where’s Marie?" "Oh, she’s hanging round the horse stalls. Simply can’t drag her away. I can’t think why she comes to the races at all." * * * "Look at No. 6. By Jove he looks fit! A picture, What a coat. He’s got a great show." "You mean she, dear." "Here comes No. 7. Been putting up some marvellous track times. And look at 5... who’s riding 4? Best jockey in the country. Can’t be beaten, I say! No. 3’s drawn an absolute cinch at the barrier . . . the top-weight will be the hardest thing to beat .. ." "Poor old No. 2-seems to be the only thing that won’t win." % * * "Hullo, old chap. Just got here. What’s winning? Oh, Kindergarten. What’s that, a he or a she? I don’t know the first thing about them." * * a No one expects anyone else to be strictly truthful about bets. If your horse wins of course you've backed it both ways. If it loses, maybe you didn’t back it after all-‘"changed your mind when you saw it in the preliminary," "thought it looked a bit light," "seemed to be running a trifle short," "drew a hopeless position and you knew it couldn’t make it.’ But I was amused to listen-in to this: "What a marvellous win! Did you back that, Bill?" "Had six on it to win." "Bill! Six POUNDS?" Bill smiled happily. "Let’s go down and watch this preliminary," he said. But funnily enough I had stood next to Bill at the 10/- window and he had put down £3. Mind you, he had six tickets and he didn’t actually say "Yes, £6." But still. I also know now what people mean — approximately — when they say they have come out square or have paid expenses. * * Shoes . . . Look at those five-inch heels, scarlet and slim as a pencil; those blue crepe de chine slippers with filigree buckles; those startling green sandals;
delicate pump-soled slippers and heavy brown brogues, smart court shoes and flat wedge-soled ones, all of them walking over the same lawns and the same hard asphalt or standing on tip-toe at the end of a race. x ES "TI do think it’s a mistake for so many young girls to come to the races, don’t you? There’s nothing amusing left for them to do later. And besides look how blasé and stupid they are. I like a young girl to be simple and unspoiled, not hard and brittle the way these are." * * * And Ships . .. Every second woman wore a little carved figure, a brooch cut from felt, or a button-hole of wool or felt flowers. Here was a white bone antelope leaping across a tailored lapel; there were horses by the hundreds in scarlet and emerald and ivory bone, penguins with black and yellow feathers, little ships with white sails, umbrella buttons, -golf clubs, horse-shoes, aeroplanes, ski-sticks, and crossed oars... the most extraordinary collection . of totems and charms in brilliant colours. * * * And sealing-wax .. . "Oh, well! That’s my double come unstuck! Let’s have a drink." * * * "George, for pity’s sake look at that, is it a hat or a haystack? How the devil is it pinned on? Oh, lady, keep away from the balcony rail, please, please keep away, I know you'll take wing." "Shut up, Claude, for heaven’s sake, She'll hear you." "Well, take me to the bar, quick! I need nourishment." * * * "Look at that feather going half way up into the air. Oh, yes, Marie I do like that combination of pale blue and navy blue, but my dear, don’t you think it just rather unsuitable for races, a dress like that; would look charming of course at a cocktail party? I must say I like tailored things best." * * * And cabbages . . . "Auckland’s prettiest woman. Well that’s what people say. Don’t you? Well, of course, she’s a grandmother, you know. I must say some of these women look like mere vegetables." * * * And Kings .. . And when the "plain brown horse" numbered 1 followed all the others, sedately, mannerly and without fuss, from the birdcage to the Course there was applause-the first time I’ve ever heard applause before a race is run. And according to the tea-rooms attendants there was no one inside during the running of that race. It was not only applause I heard, later, when Kindergarten won the race: words of praise and endearment and envy and pride, and a fat man just saying contentedly: "Well, there’s a horse." Ea * , * As we walked towards the gates, going home, two girls in front of us jumped back, startled, as a steward led his hack across the path. "Look out!" shrieked one girl. "I hate them. I positively hate the brutes."
J.
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New Zealand Listener, Volume 8, Issue 185, 8 January 1943, Page 11
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966TOTE-WORSHIP New Zealand Listener, Volume 8, Issue 185, 8 January 1943, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.