Introducing DRULEIGHS New, Completely Revised Course of Instruction in Ticket Writing and Showcard Designing The simple, easy DRULEIGH methods of instruction are easily mastered hun- dreds of students now earning big money in stores, studios, com- mercial houses, and by free lance work, are proof of the suc- cess of DRULEIGH Home Study Methods. THE GREATEST VALUE EVER OFFERED NZ ART STUDENTS ! The Course includes a FREE CopY of the most practical text-book ever published on the subject 77 pages packed with modern alphabets, layouts and ideas supplementary instruction papers, free brush and set of colours, personal criticism of each student'$ work by mail from One of Nz"s leading Commercial artists. LOW FEES SPECIAL TOTAL COST ONLY E8/-/ CARTOONING COURSE with application, or TERMS OF E2/-/ deposit, and �1/-/ for Men in Camp per month for 1 months. Terms fee, �9. Develop your talent for Cari- cature and Black and White Drawing. GUARANTEE COMPLETE COURSE : This Course carries the money-back ONLY 23/10/- Druleigh guarantee of complete satis- includes text book, instruction faction or fees refunded. Papers, all Personal criticism. START TRAINING TO-DAY! The Opportunity is Waiting Now is the time to decide. Fill in the coupon below and you will receive full particulars of the Druleigh Art Courses. Send this Coupon TODA4I MR: R CORSON; THE DRULEIGH COLLEGE Of ART, 12 0'Connell Street, Auckland: Dear Sir , Please send me without cost Or obligation full information regarding the Druleigh College Home Tuition Art Course indicated below. Ticket Writing and Showcard Designing [ ] Cartooning 4 NAME: ADDRESS. L.10
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19421023.2.31.2
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New Zealand Listener, Volume 7, Issue 174, 23 October 1942, Page 13
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255Page 13 Advertisement 2 New Zealand Listener, Volume 7, Issue 174, 23 October 1942, Page 13
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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