"HUMAN CALCULATING MACHINE"
The Man Who Plans
Britain’s Radio Offensive
HE British Broadcasting Corporation is now broadcasting two complete Home programmes, an Empire Service that covers the world for
twenty-four hours a day, a service embracing all European tongues, a service for Latin America, as well as a variety of other programmes, such as those in Arabic and Chinese. The work of fitting this day-and-night service of over forty languages into the transmitters available, and of keeping the necessary control of all the complications of wavelengths suitable for each region and of time _ schedules throughout the world, is an immense and unique task. It’s success and smooth running is due to Clifford Lawson-Reece, the BBC’s Supervisor of Overseas Planning. Lawson-Reece is a human calculating machine with a very unexpected background. In voice, figure, and maturity of erudition, Lawson-Reece tends to remind one of Dr. Johnson in his earlier days. Incidentally, also like Dr. Johnson, he is a Staffordshire man. Off the Beaten Track And yet Lawson-Reece himself has had no academic background at all. His education, it is true, did include a considerable amount of the Classics. But he was soon led off the beaten track by a modern language schoolmaster from somewhere in the south of Europe. Thereafter Lawson-Reece went his own way. After three years at Birmingham, where he studied medicine, he kicked over the traces and joined Barcelona University. That was just. before Primo de Rivera closed down that University entirely, and for the next several months Lawson-Reece did his studying among the proscribed revolutionaries in the cellars and other hide-outs of Barcelona. That give him the opportunity he had
long desired-indeed it really led him to Spain-to learn Spanish music. He learned that -so well, as well as the Catalan language, that he ended up by becoming a member of a gipsy group that played and sang songs-not altogether reputable-in the Spanish evenings and nights. Spanish and Romany failed to satisfy his unquenchable interest in languages and people; and he eventually drifted to Germany where he spent some time developing his own sense of music and the drama, and composing for ballet and mime, Returning to England, LawsonReece became both a composer and musical executant on several instruments, including the piano and the guitar, and actually appeared on the variety stage as a member of a burlesque musical troupe. Eventually he joined the BBC-that was in 1936-and after a short time ranging the gamut of all the activities of radio, discovered his niche in the business of programme planning. A Phenomenal Memory This, there can be no doubt, was due to his absolutely phenomenal memory. It is not only that he remembers without effort practically all the telephone numbers and car registration numbers that he comes across. There was one occasion when five closely-typed foolscap pages of the BBC overseas programmes went astray in the hands of an office boy before they had been duplicated. They needed to go out immediately, and Lawson-Reece, on being telephoned at his home, woke up and dictated from his bed every detail correctly. On cross-examination he will attribute this capacity of his to a tendency on his own part to make a pattern in his mind and to include in that pattern every relevant fact. That, however, is only half the answer. Many people who have a very clear idea of their own subject and the pattern into which its details should be fitted, have nothing like LawsonReece’s memory for such irrelevant and unpatternable details as telephone and car numbers. No, his is a rare and very valuable gift, that of being a walking reference library. He is married-to a woman who was once his secretary-and is a good enough workman with his hands to make his own violin,
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New Zealand Listener, Volume 7, Issue 167, 4 September 1942, Page 5
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629"HUMAN CALCULATING MACHINE" New Zealand Listener, Volume 7, Issue 167, 4 September 1942, Page 5
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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