LOVE CRAZY
(M.G M.)
T was with considerable foreboding that I went to see Love Crazy. For one thing, I thought the PowellLoy combination had slid too
far into mediocrity with a succession of stereotyped crazy comedies ever to recover their pristine brightness; for another, the title was, to me, an uninviting as ice-cream to an Eskimo. These forebodings were, however, not realised. Though William Powell and Myrna Loy are still pretty close to the slippery slope, their downward progress has at least been temporarily arrested; and the title of their new picture is happily misleading. Since I was probably not alone in imagining that a name like Love Crazy must indicate a story of the Panting-with-Passion type, let me say at once that it belongs more to the Bats-in-the-Belfry school. William Powell is no Ophelia; he does not go crazy in an agony of unrequited love.
He merely pretends to go crazy because it seems the only way to postpone a divorce action which; because of a misunderstanding, his wife insists on initiating, and he pretends so successfully that he gets himself certified as properly insane and locked up in an asylum, It is, perhaps, not in the best of taste to make fun of madness, but it is always being done, and I have seldom seen it done better than in Love Crazy. Powell’s pretence of playful lunacy and his predicament when it is taken seriously, certainly produce some ridiculously comic situations, the chief of which is his masquerade as a maiden lady of rather forbidding mien, reminiscent of Charlie’s Big-Hearted Aunt (Askey version).
This masquerade, however, comes near the end of the picture when Powell, really hard pressed by adversity, has just about succeeded in winning back his wife’s sympathy (when he does succeed, of course, the picture is over). It is preceded by many other laughable absurdities, including an encounter with a runaway lift, which isn’t far off Chaplin standard. Sometimes, the comedy misses the target, but more often it gets there, and while I still feel some slight regret that stars of the sophisticated calibre of Myrna Loy and William Powell should have to descend to slapstick to earn a crust from M.G/M. I have no objection to paying my bob to* help the cause, as long as they can do it as brightly as here, oe
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19411024.2.31.1.4
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 5, Issue 122, 24 October 1941, Page 17
Word count
Tapeke kupu
392LOVE CRAZY New Zealand Listener, Volume 5, Issue 122, 24 October 1941, Page 17
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.