As America Sees Us
FoR a while, there was a craze for fancy printing. * But after all, the purpose of printing is to be read, and some of these-I suppose I should call them modern-methods of printing made it very difficult to read even the ‘name of the book. One publisher dropped all capital letters. The author’s
name looked very odd beginnifig with small letters. Others used a type rather like Chinese characters. You had to peer at it very closely to read it. Novelty has its . uses, but when it defeats the main end, which is to -be clearly tread, it hasn’t much to recommend it. It’s rather amusing to compare the different type of jacket your American publisher will put on the same book. I
have no chance of seeing a rough draft of the American version before it is published, but their artist’s idea of the New Zealand scene is often comic, I have one book, with a New Zealand setting, and in the American jacket there is a grim, grey old castle, which looks centuries old, perched on top of a high hill, and below is a village with a type of house that is entirely foreign in this country. They are tall, narrow, three-storied houses with sharp gables, and the foliage looks more like the cactus growth of their own desert lands. Still the heroine has all her clothes on, and is not being molested by a black-browed villain. — ("Shoes and Ships and Sealing Wax," Nelle Scanlan, 2YA, September 9.)
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19411017.2.11.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 5, Issue 121, 17 October 1941, Unnumbered Page
Word count
Tapeke kupu
255As America Sees Us New Zealand Listener, Volume 5, Issue 121, 17 October 1941, Unnumbered Page
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.