Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

AN ARTIST LOOKS AT THE WORLD

6¢ "RE only young once,’ we say. "We're going to travel and see the world." So we start taking sandwiches to work and cut down on cigarettes. And our bank balance grows slowly but steadily. Then a friend wants us to go with her to the Chateau, so we think "Oh, well, there’s plenty of time," and draw out ten pounds. Our parentts say to us, " Youve got a very good job. It seems silly to give

it up. What will happen if you get to England and can’t get a job? Why not go to the Sounds instead?" We pooh-pooh the idea. But we are getting tired of being cigaretteless. And we're very happy where we are. And it .seems foolish to leave one kind of happiness on the off-chance of finding another. And of course there’s Jim. So we stay home and perhaps get married and live happily ever after. Occasionally we think it would have been fun to contact a world outside our own, but usually we’re too busy wondering what to have for dinner. Here is the story of a young Wellington artist who did what so many of us would have liked to do, but didn’t. Perhaps we didn’t "like" hard eriough. Freedom First "T went to England in 1935. I settled in London. I didn’t know anybody, and I had refused to take letters of introduction because I wanted to be completely free. I. had some money and some years’ experience as a commercial artist, so I started out to find a job. It took me five months. I had come to the end of my money when I decided to try a well-known studio. They did not like the idea of employing a woman, but I took the decision out of their hands by arriving the following Monday morning with my brushes and beginning work. I announced that I would work for a month without pay, and if they then found me unnecessary I would leave. I stayed for two years. "My two years in that studio had taught me a lot. I decided to set up as a free lance, and I set out to search for a studio of my own. I found it the first day. It was a large attic room in Hampstead Heath, where I met other people with the same ideas as I had, and» we lead a sort of communal life. My money was kept under a soup-plate in my room, and if anybody wanted money she came and took it. When she

had some money she would put it under my plate. Similarly if I was short I could borrow from anyone else in the house, The War Came "Unfortunately the war broke in upon this idyllic existence. During the first few weeks I took a place as Air Raid Warden. We did not know what was coming, so we were issued with outfits to protect us from mustard gas. Complete with gas mask and tin _ hat, I clanked through the silent streets of Hampstead Heath, trying to tread softly to avoid waking the layers of sleeping people. It’s a beautiful district; the houses and trees are both very high. At the beginning of the war we had a series of bright moonlight nights, and as I strode along with my rattle the houses and trees stood black against the sky-line. One by one the occupants had left our house for the safer country districts. As each left she said to me, ‘You can use my room dnd my radio till I‘come back.’ I will always remember wandering from room to room through that large empty house turning on each radio in turn to see if there was any fresh news. I seemed to be living in a dream world-there was such a feeling of insecurity. "One night an air-raid warning was given during my period on duty. I had to see that everybody got down to the cellar. I rushed into our house waving my rattle and called on my landlady to go down to the cellar. She was standing in the hall arranging gladioli in a vase. She picked up each flower in turn and with unhurried movements put it in the vase. Then she picked up the vase and carried it into the sitting-room, To me each second seemed eternity. Finally when the job was done she came down to the cellar. Once there she spent some minutes telling the absent Hitler what she thought of him, (Continued on next page)

AN ARTIST ABROAD (Continued from previous page)

"My duties as Warden terminated when I was called up in the land army. I was stationed in the Midlands. A few short weeks and I was a fully trained dairy maid. Every morning I took a pony cart laden with bottles and delivered the milk for my district. The pony was fresh from the grass, and I congratulated myself if I could deliver most of the bottles unbroken. In the afternoons I made cheese, A Bathing Problem "Later I obtained a position as Assistant Matron in a school in Sussex-a freedom school run on the same lines as A. S. Neill’s Summerhill. The classrooms were set far apart in,the woods, so that the noise from one would not interfere with a class from another. Baths, unlike lessons, were compulsory, and one of my duties was the nightly bathing of the children. We had two. fifteen-year-old Burmese children at the school. They were well-grown boys, both almost six feet tall, but rather backward mentally. One day the Matron remarked to me that Brian was looking rather misty about the ears. ‘Don’t you scrub them?’ she asked. I explained that I always modestly retired and left Brian to bath himself. In futuré, however, I supervised his toilet in person. "When the permanent assistant returned from holiday I obtained by post a position as cook at the home of two elderly women near Leamington. When I stepped off the train, knapsack on_ back, I was met by a Rolls Royce and a chauffeur. The house was built entirely of weathered brick. The original building had been built about 1450 as a ‘prep’-school for Eton, and much had been added since. This huge pile’ was occupied by the two elderly ladies, and their war-time skeleton staff of fif-

teen servants. The work was. congenial but the life was dull. "People talk about the danger of war, but I found the boredom. of’ war the most difficult to endure-That: terrible slowing up of life, and the deadly monotony of the black-out. "When you are brought face to face with danger or death you are forced to realise the things that are really im-

portant for you. When I narrowly missed being hit by a bomb near Leamington’ all "I could think of was the New Zealand hills. So I decided to come back. I have, I suppose, had an interesting life. But one needn’t go abroad to find adventure. Now that I’m back in New Zealand I’m finding that it’s here as well." | --

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19410829.2.67.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 5, Issue 114, 29 August 1941, Page 48

Word count
Tapeke kupu
1,191

AN ARTIST LOOKS AT THE WORLD New Zealand Listener, Volume 5, Issue 114, 29 August 1941, Page 48

AN ARTIST LOOKS AT THE WORLD New Zealand Listener, Volume 5, Issue 114, 29 August 1941, Page 48

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert