FASHIONS IN MELODY
music will be interested in the new session Fashions in Melody, a studio presentation, featuring Ossie Cheesman, his Piano and his Orchestra, which is now being heard on Tuesday evenings from 1YA. For some time, this combination had been heard fortnightly from the Auckland station, but it is now a regular weekly feature, and the first of its kind from 1YA., While the new session was in process of organisation, A. R. G. Bothamley, of the NBS, paid a visit to Auckland to who follow modern
assist in "balancing" the new combination for radio work. This work of "balancing," i.e., the disposal of niicrophones so as to ensure the proper blending of the various sections, éntails more precision in respect to dance combinations than other broadcasting combinations, and to this work Mr. Bothaniley brings expert knowledge. Generally four microphones are used to broadcast a modern dance orchestra, thereby en- ~~ e
siting the proper balance of brass, saxophone and rhythm sections, and so on, Personnel The personnel of the new show is as follows: Leader: Ossie Cheesman. As leader of Ossie Cheesman’s Dance Orchestra, he has already been introduced to readers of The Listener. Associated at one time with Craig Crawford (who broadcasts from Sydney to the CBS network), he plays the piano and the piano-accordion, and also does most of the arranging for the combination. Saxophones: J. ("Tiny") McMahon, Jimmy and Pat Watters and Bert Peterson. McMahon was for years associated with leading bands in Australia, and was at one time a member of Maurie Gilman’s Sydney group, specialising in cabaret and broadcasting work. Jimmy and Pat Watters on tenor sax. specialise in ad lib work. Peterson will be known to many listeners, as he has himself led | bands in New Zealand. Brass: Stan. Hills, Phil. Campbell, Vern. Wilson and Des. Blundell. Hills (trumpet), has played in most centres in New Zealand, and he also arranges. Phil. Campbell is the hot trunipet in the outfit, and also plays the mellophone; he leads one of Auckland’s best-known cabaret bands. Wilson (trumpet, mellophone and violin), is well-known in New Zealand, and has also played extensively in Australia, having spent a year in Brisbane under Bill O’Smith. Blundell (trombone), is an 18-year-old and the junior in the combination. Percussion and Strings: Johnny Madden and Ian ("Nin") Pitcaithley. Madden (drums and vocal), is well-known to many listeners already, and has a band of his own in Auckland. Pitcaithley, equally well-known in Wellington and ~ Auckland, is responsiblé for bass and tar. The girl vocalist associated with the orchestra is Betty Spiro, who this year won the Walter Impett Vocal Scholarship. : -----
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19410822.2.35
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 5, Issue 113, 22 August 1941, Page 13
Word count
Tapeke kupu
438FASHIONS IN MELODY New Zealand Listener, Volume 5, Issue 113, 22 August 1941, Page 13
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.