DON GIOVANNI
Sir,-As a music-lover I wish to express my appreciation of the recorded presentation of the above opera. I shall look forward to the second half when the delicate and delightful little air, ‘Deh viene alla finestra,’ should be heard to advantage. I am sure many besides myself would be glad to hear more complete operas presented. The tuneful "Lucia di Lammermoor" with its Scottish setting would be popular. A few suggestions. The " William Tell" Overture is frequently rendered, but not the beautiful "Dawn." Similarly, when "The Moonlight Sonata" is announced, why is it always the First Movement? I enjoyed Chopin’s brilliant Valse in D Flat Major and timed what is known as "The Minute Waltz." Naturally, it took exactly one minute. I would suggest that mention of this interesting sidelight might add interest to this work. I should like to hear the "Black Key Study"-and referred to as such. The programme organisers do not seem to appreciate that there are duets from the operas. Though there are hundreds, I don’t think I have ever heard one. To name a few enjoyable duets-*" Aida," "Les Pecheurs des Perles,’ "Don Pasquale,’ " Rigoletto " (between Rigoletto and Gilda), Lucia (love scene at fountain). There is a vast selection of operatic gems not heard over the air. The service is in danger of overdoing the Barcarolle
(from " Offenbach") and the " Blue Danube.’’-
R. D.
BAEYERTZ
(Auckland).
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19410207.2.9.2
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New Zealand Listener, Volume 4, Issue 85, 7 February 1941, Page 4
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233DON GIOVANNI New Zealand Listener, Volume 4, Issue 85, 7 February 1941, Page 4
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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