LISTENINGS
Perpetrated and illustrated by
KEN.
ALEXANDER
THE SIGN Or THE DOUBLE-CROSS
ADIO tidings suggest that Hitler will take advantage of Mussolini’s Grecian bend to double-cross him out of his share in the French swag. Which proves how right Charlie Chaplin was when he adopted the double-cross as the symbol of smash-and-grab in his picture "The Dictator." Hitler is the daddy of double-crossers. He has double-crossed everyone so often that he thinks .the straight-and-narrow is a spiral staircase. At the beginning of his career he even double-crossed his sheets of wall-paper.
It was only a step from paper and &crim to caper and scream. After doublecrossing the people he double-crossed twelve huhdred of his Nazi pals by presenting each with six feet of Germany and a double cross over each plot. His double-crossing of small nations would shame the love-letters of a self-made blonde. His admirers boast that he could double-cross a keg of XXXX out of its alcoholic content. He has double-crossed even himself so often that he has his hands tied before he goes to sleep so that he can’t sneak out of bed and pick his own pockets.
Now it is Musso’s turn to be branded with the Nazi two-way traffic sign where it hurts him most. Which is not unfair seeing that he has done so much to ruin the double-cross market in the Balkans. Since he slipped in Greece, victims are less willing to take a ride on the Axis. In fact the Axis has developed a distinct squeak. It needs Rumanian oil badly. But even the Rumanians are beginning to doubt the wisdom of taking a wolf to bed tor’ protection. Hitler stands uncertain at the doublecross roads, "Let me see, who haven’t we double-crossed up to now, Goering?" he asks. "There are not many, and those on the list are getting tough, Adolf," says Goering. "They don’t trust us like they used to, "That’s the trouble. We can’t get anything unless we have mutual trust. I do hate suspicious natures. They take all the fun out of double-crossing. You remember how we used to get them all pally and trusting, Hermann? And their faces when we put the ’fluence on them! Their faces, Hermann! What jolly laughs we used to have. And yet they say we Germans have no sense of humour. "But since the Greeks burst Benito, the gas-bag of the Balkans, it’s almost impossible to do a bit of honest doublecrossing. ;
"Why, when I say to Yugoslavia, ‘How about a spin on the Axis?’ they reply, ‘Yugo to -’'! It is scarcely the spirit of co-operation, Hermann. How do they expect us to relieve them of their problems, and everything, unless they -have faith and hope; after all, that’s all they do have when we’re through with them, so they ought to cultivate it." "It’s almost enough to tempt one to go straight, Adolf. Have you — er — ever thought about-er-going straight?" "Don’t be fantastic, Hermann, I did have a dream about it a few nights ago. It must have been that Norwegian lobster. Ugh! It was horrible. I simply had to put it across someone to clear my mind, and, well, there was only Benito," "Quite, quite, Adolf! How about a little game of noughts and crosses to ‘keep our hand in? If the worst comes to the worst we can, at least, double cross each other,"
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New Zealand Listener, Volume 3, Issue 78, 20 December 1940, Page 11
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565LISTENINGS New Zealand Listener, Volume 3, Issue 78, 20 December 1940, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.