SHE KNOWS HER SUBJECT
gtares: oss who compére programmes dealing with far-away parts of the world sometimes manage without actually visiting the places they describe, but June Bennett, who is conducting a "Hawaii Calling" session from Station 2ZB, was in Hawaii not long ago. She spent several months there, and not only saw all there was to see, but had an excellent chance of studying the fascinating island music and dancing.
Sad June, who is crippled and walks with two sticks, nevertheless leads an active life, and paints, sketches, sings and plays the piano. Bishop Bennett is an uncle, and her mother, Mrs. H. D. Bennett, has done a great deal of work for the Crippled Children’s Society. June was heard from 2ZB two years ago in a session of Polynesian mythology, under the radio name of "Terangi," and it is as "Terangi" that she is again broadcasting from 2ZB, Her session describes many of the quaint customs of the people of Hawaii, and from personal knowledge she is able to add sidelights concerning people she met there. In one session, for instance, she traced the career of the famous swimmer, Duke Kahanamoku, who became champion of Hawaii in 1921, and a few years later swept all before him at the Olympic Games. From then on he became a celebrated personality, and it was considered an honour to receive a lesson from him in his art of surfe riding. To-day he is head of a big sch of swimming, and bears the title o: Sheriff of the City of Honolulu, As a background for this radio ne reel June uses the music which Haw has made famous,
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New Zealand Listener, Volume 3, Issue 75, 29 November 1940, Page 14
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277SHE KNOWS HER SUBJECT New Zealand Listener, Volume 3, Issue 75, 29 November 1940, Page 14
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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