The Artist and The Audience
Here is Ignaz Friedman's view of the artist’s duty to his art and his audience: "A great artist, a virtuoso, must be formed, must be educated, and he must look upon his art as a religion. Otherwise he is not really a star of. the first magnitude, and is confusing virtuosity with a specialty, and religion with a knowledge of human nature. And a knowledge of human nature is something which any old salt acquires in the course of numerous sea voyages. The only artist who never wearies his auditors is the one who tells a story at the piano. So long as he relates a narrative, he may do so without words, without gestures or mimicry, and yet speak of joy, and of sadness, of love, triumph, hope and death, of exotic lands, joy and disappointment, and children’s games. And most of those who are listening to him know, or believe they know, what it is all about. Incidentally, much listening to music and much playing of music make much thinking upon music a duty. If this be not the case, then the pianist’s progress across the keys is like a walk taken by a blind man in a_ splendid flower garden. All that the listener is aware of is fragrance." Next week, on Tuesday, December 3, Ignaz Friedman will give a public perform. ance in Auckland. Details are announced in the 1YA programmes.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19401129.2.20
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New Zealand Listener, Volume 3, Issue 75, 29 November 1940, Page 11
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240The Artist and The Audience New Zealand Listener, Volume 3, Issue 75, 29 November 1940, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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