FACTORY
WANTED a job! But even for ] a stranger in a strange city, without the necessary brains, beauty, and influential friends, the looking wasn’t hard. It was finding. And I was finding it hard. I picked up the morning paper. The matrimonial market was poor. I glanced at the "Situations Vacant." They presented two alternatives: "Factory . . . Smart Young Ladies Required, Etc., Etc., ... Phone 12345." "Factory... Female Factory Hands Wanted for Box Factory ... Phone 67890." * ~ * Loth to join the ranks of the "smart young ladies," I phoned 67890. I: I want a job. HE: How old are you? I: Twenty-two. HE: Experience? I: No HE: Report at the factory 8 a.m. Monday. (Pause) I (blankly): Eh? HE: What? I recovered myself, thanked him humbly, and on Monday morning at 8 o'clock presented myself at the box factory. The box-and-carton factory, a dark grey iron building, quivered almost imperceptibly from the grinding monotone of machinery. The forewoman was kind. She motioned a pink overall from a. side room, and pointed to me. "Take this girl to the cloak-room." I followed. Down a sawdust aisle flanked with water buckets, and cardboard, and paper, and brushes, and lashings of paste, and women. The morning was raw. Their hands were blue, and their fingers stiff. I shivered. Suddenly my pilot disappeared down a flight of steep wooden stairs. I stopped shivering and galloped after her — and into the cloak-room. It was dim-and damp-and the faint stench of sand-soap and "cloakroom" made me sick. The room, barely six feet high, was filled with little tables. Grubby little tables. "Is this the-?" "Cloak room." "What are the tables for?" "Lunch." : "Oh!" "Eh?" "Nothing. Shall I leave my lunch on the table?" "The rats’ll get it." "Rats!" . "Yeah. Ready? Come on." I was ready. Ready to be initiated into the art of pasting paper on cardboard. Someone handed me a bucket of water, a scrubbing brush, and a lump of soap. I didn’t understand, but I figured it was all
tangled up in the intricacy of making boxes. I could ask questions later. I was told what to do, what not to do, and introduced to my neighbour. She glanced at me from under sandy lashes, and said nothing. Suddenly "Got a boy friend?" I countered. "Have you?" "Only three or four." I was impressed. I stared fascinated at the pale eyelashes, ginger hair, purple lipstick, and long, blood-red talons. I was more than impressed. But how, entangled as I was in a morass of glue and gold paper, to pursue so delicate a conversation? I didn’t have to. She launched into a vivid account of her reactions to whisky. Whisky was fire water. Three or four shots of whisky and she could fight like !I!!! I was awed into silence. But not for long. She glanced obliquely at me, "What do you do at night?" "Go to bed." It hadn’t occurred to me before that it wasn’t the normal thing to do, but this siren with the purple mouth was openly scornful. "Well, what do you do?" "Go out." "Who with?" "Boy-friends." "Every night?" "Betcha. Except Sunday, Long night Saturday, too." "What’s your mother say?" "Nothing." "What about your father?"
"Aw, Dad’s narrow-minded. I don’t take any notice of narrow-minded people." I giggled. "What's so funny?" I apologised. I gathered that her ambition in life was a fur coat, a diamond ring, three hundred and sixty-five parties in a year, and a husband. And then she was shifted for talking. I wasn’t shifted for listening. She was replaced by a young towhaired Diana. She stared-at me solemnly, "Hullo." "Hullo." "Like it here?" "Yes, thank you." "Aw, you'll soon get sick of it." "Sweet girl." She goggled. © "Dad says I’m a III!" A mental knock-out from one so young. I recovered. "What’s he say that for?" " "I dunno. What’d you have for breakfast?" "What did you have?" "Plate of porridge and cream, Four sausages, and some bacon, and three pieces of bread and jam." I didn’t believe her. "Some one having a party?" Later I learned it was her staple diet (or maybe I’m still the mug). And I learned lots of other things. * * * I learned that the busy little woman, who had nine children and a drunken husband, was a confirmed spinster, with
a tongue. I learned this just in time. I was on the point of extending deepest sympathies. I learned that a well-known announcer had (per his touching little talks and dulcet tones) endeared himself to such an extent with the female factory heart that one young matron was determined (and with malice aforethought) to call her next baby after him. And I learned that the big I AM who roamed the factory with his eyes pasted to the floor had not an inferiority complex but a "bad" neck. Certainly no complex. « He found me standing in a doorway. "Don’t stand there!" His manner inflamed me with .an unholy desire to put his teeth down that "bad" neck. So next time I sat on a baby step-ladder. Anyway, my feet were sore from standing all day. "Get off that ladder! Blockin’ up the door like that! You ought to have more sense!"
I reckon I didn’t have much sens¢ and I did have sore feet. Half a minute later he snooped back. I was sitting on the step ladder. He blew up! But it was weeks before I left. And in one way I was sorry. I was learning, and I loved it. For instance — a simple and most effective phrase, guaranteed to cover any given situation, and deal with any given person, at any given time or place: ; "Get out yuh twerp! Or I'll bash yuh!" ;
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New Zealand Listener, Volume 3, Issue 71, 1 November 1940, Page 10
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952FACTORY New Zealand Listener, Volume 3, Issue 71, 1 November 1940, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.