Traffic in Heads
JONES: I don’t wish to appear callous, but actually I don’t see much out of place in this traffic in Maori-baked heads. After all, mummies are bought
for museums; also skulls and other parts of the human body. I’ve had no personal experience of the trade, of course.
ROBINSON: You're not taking into account the sinister side of the business. When trade became brisk it was the custom to tattoo a slave, then kill him and preserve his head for sale -an inhuman business, JONES: I agree, if that was the case. ROBINSON: It was the case. Maning told me of one slave
who was ungrateful enough to run away with his own head after his master had taken much trouble to prepare it for sale. It is pleasant to know that some of the traders were repaid in their own coin. Take the case of Joe Rowe, from Kapiti. He was earning great money in buying and selling dried heads. But he got careless. He showed some of his trophies to relatives of the murdered men, and only laughed and made fun of their tears when they entreated him to give them up. Shortly afterwards -this was in 1831-he left for Wanganui, and fell in with his former visitors. They turned the tables neatly by killing him and preserving his head.("The Background of New Zealand-Traders,’ 2YA, July 1).
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19400719.2.14.3
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 3, Issue 56, 19 July 1940, Page 8
Word count
Tapeke kupu
232Traffic in Heads New Zealand Listener, Volume 3, Issue 56, 19 July 1940, Page 8
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.