THE END OF A PHASE
Written for "The Listener" by
PHYLLIS
McDONAGH
It was the end of six months of national celebration and rejoicing. It was the end, too, of a phase. Something that our forefathers made possible, and which it has been our privilege to commemorate. Our children, yet unborn, will make the next Centennial Anniversary. But we shall not be here. We shall have played our part. Already in the grounds, when i saw them last week, dissolution was approaching. In a few days, I thought, great white courts and quadrangles that, for six months now have been scenes of historic splendour, would tumble into dust. The Gothic columns and carved frescoes would tremble and collapse. The valiant standards would furl their flags. The fountain’s play would cease. The coloured lights, the reflected gleam of rose and amber and gold, would dim and pale into darkness. . . And by now, the machinery‘s throb has stopped at the touch of an unseen switch. The patient sheep and cattle on the moulded hills and valleys of the Dominion Court have deserted their evergreen pastures. On the miniature harbours of Dominion ports, ships have sought a final harbourage. In the Glow Worm Cave darkness has fallen where once was quivering light. In the Pioneer Huts the erect figures in their sprigged waistcoats and hooped gowns have relaxed from their long week, the Exhibition closed.
vigil. The spinning wheel, the old "go ashore" cooking pot, the family Bible, the baby’s wooden cradle, are laid aside. Old treasures, with the bloom of years on them, have vdnished into the shadows from which they came. Oils and painted miniatures that for six months now have gazed down on the crowding throngs, have retired, it may be, for another century. The Royal Jewels no longer dazzle our gaze, the Port of London no longer sounds its call. From the Australian Court, the fruit and the wheat, the play of surf, and sky and wind, have gone back to the land that gave them. The long procession of show cars have made a final entourage through the northern gates. The pas and war canoes are emptied. From the General Exhibits Hall comes a crash of scaffolding as the stalls are dismantled and laid aside. Their occupants have vanished with their wares. In Playland, the last spruiker’s cry has ceased. From the Crazy House, the sailor has sounded his last guffaw. The swift rushes and descents of the Roller Coaster have been made, the Cyclone and Jack and Jill have slowed-and stopped. The side-shows, the race and card games, all the fun and glitter of Carnival Land have vanished as if they had never been. There is a sadness and a finality in it all. It is not time that flies, but we, the children of time.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19400510.2.50
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 2, Issue 46, 10 May 1940, Page 43
Word count
Tapeke kupu
469THE END OF A PHASE New Zealand Listener, Volume 2, Issue 46, 10 May 1940, Page 43
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.