"SEVEN LITTLE AUSTRALIANS"
Elocution Plus Camera INCE the days when I saw my S childhood’s elocution mistress -Marie Ney--sitting stiffly and apprehensively astride an elderly horse as the "Squatter’s Daughter" I have avoided, with happy success, Australian-made films. Nevertheless, it was not altogether a penance that took me to the private screening of "Seven Little Australians." I was interested to see what the years between Then and Now had contributed. And also the extent of success or otherwise with so vital a character as " Judy"-heroine of that children’s classic. Remembering again the emotional havoc wrought in me at a probably too early age by the mere reading of this book I wondered at their daring in attacking so human a theme-or might it prove stupidity? $o far as the years were concerned I found they had improved photography.
-though there were still too many "scenes" to make the thing run with anything suggesting rhythm. For the rest it was, if not stupidity, sheerly rash. In Judy I found -instead of the vivid vital child living on nervous energy that tossed her to emotional heights and depths-a stolid and likeable but unprepossessing girl with lazy movements, aggressive good health, who was made to pronounce platitudes and heart-shaking truths in the same robust monotone. This "wholesome" note ran throughout the film and was no doubt inten-tional-but somewhat painful. One good thing: those who dread being emotionally torn to ribbons need not worry. The final, and horribly over-stressed, suggestion that the sacrifice of Judy was necessary to the regeneration of her father is wholly nauseating. Nevertheless, projected through a series of shots depicting changing seasons, blossoming boughs, twittering birds and airy clouds afloat in a tranquil heaven we are brought to where he pauses among the tombstones of the churchyard and, to the accompaniment of bells and a thick Sabbath sanctity, turns to his young wife and promises to be a better father. By the way, this was all before the days of "Oxford groupers," wasn’t it?
A.
G.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19400315.2.51.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 2, Issue 38, 15 March 1940, Page 42
Word count
Tapeke kupu
336"SEVEN LITTLE AUSTRALIANS" New Zealand Listener, Volume 2, Issue 38, 15 March 1940, Page 42
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.