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ODDS AND ENDS

Mighty Melchior Listeners over New Zealand national stations frequently hear Lauritz Melchior, massive Danish tenor, probably the world’s greatest Wagner tenor. He will be heard in the presentation of "The Valkyrie" from 3YA Christchurch on Sunday evening. Tristan, Siegfried, Lohengrin, Parsifal, and Tannhauser — these are the mighty Melchior’s meat. Many of Wagner's heroes were huntsmen. Melchior himself enjoys nothing better than the hunt. The deer-skin costume he wears as Siegfried is the skin of a deer he shot and skinned himself on a hunting trip in Germany. When he can get away from the Metropolitan Opera, New York, he goes shooting in the woods of Maine or North Dakota. In New Brunswick once he shot a bear, had it dressed and smoked, and toted the meat back to his apartment in Manhattan. For weeks the Melchior home was cluttered up with shanks and shoulders. They hung in closets, cupboards, even out the window high above bustling Broadway. Lauritz tried to eat it all, but the task was too great. Friends nobly assisted by carrying away and loyally devouring large hunks of meat until the supply was exhausted. Kleinchen — " Little One" — is Melchior’s wife. She does not like hunting, but likes her husband. Says she: "I am a married woman, and very happy. I try to make a nice home." Melchior spends his summers in Germany. On an island in the middle of a lake, near the former Polish border, he inhabits what was originally the fortress of a medieval robber baron. The rustic pursuit calms Melchior’s soul. There he likes to dress in Lederhosen, hunt his own land for rabbit, red deer, or pheasant. On these expeditions he carries his little brass hunting horn, blowing blasts on it like fabled Siegfried himself.

Dummies Wartime Paris is too full of halfempty theatres for the likes of managers and directors: the lack of audience gave broad faced Gustave Quinson, director of one theatre, an idea. He hacked out cardboard dummies of soldiers, sailors, French and English celebrities, and propped them up in boxes and along the first row gallery. Alone in one box sits Allied Chief Maurice Gamelin;

alone in another, Chief of Staff Alphonse Georges. High up, upposite the stage but ignoring it in favour of a papier-mache lady, sits Neville Chamberlain, Others on display are Josephine Baker, Mistinguette, Tristan Bernard, Lord Gort and many poilus, tars and Moroccans. During intervals audiences get a big kick out of identifying the dummies.But the broad-faced theatre director is getting long-faced; there are Still far too many empty seats. The Bridges Recently arrived from Australia is a note from the Bridges Trio, giving news of their activities there during the past few months. When they returned after their New Zealand tour they. were signed up by the late Frank Neil and appeared in Melbourne with an imported company | headed by the Mills Brothers. Newspaper critics in Sydney and Melbourne gave honours of the shows to the famed brothers, George Wallace, and the Marimba Trio, under which name. the Bridges have been appearing. The Trio finished their contract with the show at Christmas, then stayed in Sydney to broadcast with the ABC, and are now playing a season at the Capitol Theatre. They have had a busy time entertaining officers and men of the 2nd A.LF. Australia Annoyed Australian radio magazines just artived display a good deal. of annoyance at the decision of the Commonwealth Government to appropriate a quarter- ; ;

million pound building fund built-up in recent years by the ABC. Loan moneys or moneys from consolidated funds may not, constitutionally, be used by the Australian Broadcasting Commission for building purposes, So, some years ago, the ABC set to work and saved up aé reserve fund of £249,700 from license fees (12/6). Now, with a war to fight, the Government has appropriated this reserve and left the ABC head office staff scattered | in various buildings around Sydney, paying, in the words of the PostmasterGeneral, "high rents for second and third rate properties."

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19400301.2.87

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 2, Issue 36, 1 March 1940, Page 55

Word count
Tapeke kupu
670

ODDS AND ENDS New Zealand Listener, Volume 2, Issue 36, 1 March 1940, Page 55

ODDS AND ENDS New Zealand Listener, Volume 2, Issue 36, 1 March 1940, Page 55

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