HOW MUCH DO YOU KNOW?
ERE are seven questions, one for each day of the coming week and bearing on some item in one or other of that day’s
programmes which appear in this issue of The Listener. You can check up your solutions by referring to page 55, on which will be found the correct answers. SUNDAY: Who was the playwright who was buried standing up in Westminster Abbey? MONDAY: What is the name of the artist who is married to another artist, and is violinist, pianist and singer, and whose spare time hobby is painting? TUESDAY: Who was the stage and radio celebrity who joined the Royal Air Force during the last war and after smashing an aeroplane worth £2,000, decided to transfer to the Gordon Highlanders? WEDNESDAY:. What famous cone ductor is the son of a British army bandmaster and was born whilst a military band was playing a few yards away? THURSDAY: What famous _ song netted only three pounds for its composer, and over £10,000 for the publisher since the copyright was renewed? FRIDAY: Which artist began a career by singing to the soldiers during th Great War? SATURDAY: Which dance band conductor never uses women vocalists in his shows; alleging that girls throw the boys out of gear, and cause disruption in the camp? :
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Bibliographic details
New Zealand Listener, Volume 2, Issue 36, 1 March 1940, Page 27
Word Count
219HOW MUCH DO YOU KNOW? New Zealand Listener, Volume 2, Issue 36, 1 March 1940, Page 27
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.