THE LATE MR. E. C. HANDS
An Appreciation By A Colleague
HE sketch of the career of the late Mr. E. C. Hands which The Listener published last week was necessarily brief, and in justice to his memory and with profit to listeners, may be expanded. First of all, a current mistake about his career should be corrected. He was not a_ superannuated servant of the Post and Telegraph Department. He was under fifty when he was taken from the Post and Telegraph service by the Government to be the chief executive officer of the new Broadcasting Board. The service had been in the hands of a company and was now to be directed by a public utility corporation, and it was felt that somebody was required to manage the concern who combined organising ability with a practical knowledge of broadcasting and a keen interest in its development. These qualifications Mr. Hands had in abundance. He had made a name for himself in the Post and Telegraph Department ¢s an organiser. As Supervisor and then Principal of the Telegraph Division he had had to handle the communication side of several emergencies, and he had proved ‘his worth. The whole field of wireless signalling had made a strong appeal to him, so that he came to the position with a considerable knowledge on the technical side. He was persuaded by the Board to accept this position permanently, which meant that he had to forgo his excellent chances of further promotion in the Post and Telegraph Department, and his superannuation. Problems of Taste In considering the quality of his achievement as General Manager for the Broadcasting Board, one must try to grasp the peculiar difficulties that were involved in the development of broadcasting, and the first thing to realise is the differences between broadcasting and all other public utilities. Here
was something new which captivated the public by its novelty, its romance, and its amazing possibilities. But its appeal was far more intimate than the appeal made by any other kind of public service. We may get some idea of the situation if we imagine a suburban train service which changed its very nature every morning and evening. and offered travellers a wide and exciting variety of seats and speeds. We may imagine that if such a service was offered, there would be a good deal of difference
of opinion about it. Well, very much more so was this difference of opinion engendered by broadcasting. One of the characteristics of mankind is that tastes differ, and differ profoundly. One man likes Shakespeare, another man likes musical comedy, another man likes Beethoven, another likes jazz. Sometimes a listener will "like all these according to his moods, and he may be irritated if he doesn’t get just what he wants when he wants it. The National Broadcasting Service was, and still is, a force between two fires-the people who
want entertainment and the people who want instruction, But, in the early days, there was much less understanding of its difficulties than there is to-day, difficulties that range from coverage and finance to copyright. Evolving a National System Mr. Hands set himself with great industry and patience to evolve a national system of programmes. Helped by his staff, he introduced what is known in the Service as the Blue Print, a schedule by which each station had a more or less set order of programme for the different nights in the week. The idea behind this was regularity and certainty -that is, a listener could depend upon getting say, opera, light music, classical music, or talks at fixed times. When the war came revision of this carefully drawn up schedule was in progress. Mr, Hands had a way with him in dealing with critics. He was always ready to consider suggestions, but he had a very quick eye for the weakness of criticism. If somebody said that everybody disliked a _ certain feature, he would politely ask what was meant by " every- _ body," and it might turn out that "everybody" was no more than two or three of the complainant’s friends. Or he might in gentle questioning of another visitor elicit that he was listening to only a fraction of the programme with which he was dissatisfied. He was always. ready to receive suggestions, and he kept a close and sympathetic ear to the ground of the listening public. His Kindness He was naturally a very kindly man, and it is worth noting that he was extremely fond of children. It would be observed that children went to him at once as to one who- understood them. He was always accessible to his staff, who came to regard him as a friend. The writer of this tribute can speak with feeling on the point, for he came into the Service with little or no knowledge of broadcasting, and he found his way smoothed from the start by the kindly way in which Mr. Hands gave him his instructions and pointed out when he had made mistakes. There is all the difference between correction given in a censorious spirit, and correction given in the manner of a man who says in effect, " you are new to this game; if I were you I'd do so and so," or "I’m sorry, but the rule is this, that, or the other," said, of course, in a friendly tone of voice and often with a smile. How treatment like this oils the wheels of life, and makes you like a man! Mr. Hands was a distinguished public servant who pioneered a new public service with great success, and a warmhearted gentleman,
A.
M.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19400216.2.30
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 2, Issue 34, 16 February 1940, Page 20
Word count
Tapeke kupu
943THE LATE MR. E. C. HANDS New Zealand Listener, Volume 2, Issue 34, 16 February 1940, Page 20
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.