Meet the LADIES
popular young 1ZB artist, whose sweet voice is heard regularly in the non-stop Revue in the " Child. ren’s Magazine" on Wednesdays at 5 p.m., and who frequently makes personal appearances in songs and sketches in 1ZB’s Concert Party and broadcasts in the Diggers’ Hour, has crowded more amateur theatrical experience into her short life than many a person twice her age. At the age of three she made her first stage appearance in Glasgow, as a baby fairy in a ballet. After coming to New Zealand, she entered for the Auckland Competitions in 1929, and out of twelve entries for singing, dancing, and elocution, she gained eight first places and _ four seconds. Among the parts Pat has played on the stage are: The Boy Babe in the pantomime "Babes in the Wood"; Suzanne in Margaret Kennedy’s famous play "The Constant Nymph"; Lencher, the little German girl in " Autumn Crocus" with the Zoe Bartley Baxter Players; the name part in " Dick Whittington"; Prince Charming in "Cinderella"; and Mickey Mouse. After an audition with Dame Sybil Thorndike, and John Tait, director of J. C. Williamson’s, she toured New Zealand with the J. C. Williamson Pantomime " Cinderella." A member of the Little Theatre Society, and the Auckland Amateur Operatic Society, Pat has taken part in many of their productions. She is also a member of the Royal Academy of Operatic Dancing. Altogether a very versatile young artist, Pat Boyle has experience, training and enthusiasm which should take her far in the world of radio and en. tertainment. S TILL only eighteen, Pat Boyle,
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New Zealand Listener, Volume 2, Issue 27, 29 December 1939, Page 48
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263Meet the LADIES New Zealand Listener, Volume 2, Issue 27, 29 December 1939, Page 48
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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