Boys and Girls...
This corner, all you young folks, is for you and your interests. This is where we tell you, week by week, about what is being put over the air for you, just as the grown-ups have their own pages with their own programmes. So make sure that you, too, " Look Betore You Listen"
N Saturday, the 23rd September, the "Radio Rascals" (who in real life are some of the bright young boys of the NBS) are having what they. call a "crazy get together" at 2YA specially for young folk of eleven years and upwards. You will hear the "Hammond Degs," an unusual instrumental trio; "Professor Ocem Longhair" discoursing on "The Unfurnished Symphony — and How?"; and a thrilling "Radio Drammer." So you older boys and girls don’t forget to tune in to the 2YA Children’s Hour for a really unusual entertainment. For Your Entertainment: NATIONAL STATIONS MONDAY, 5-6 p.m. 2YA: Original Play by Charlie Wong, 3YA: Stamp Club 4YZ: 5.30 p.m.: Toyship Tales
TUESDAY, 5-6 p.m. 2YA: Original Play WEDNESDAY, 5-6 p.m. 2YA: "The Jungle in Malaya." 3YA: Kay 4YA: Travel Man THURSDAY, 5-6 p.m. 2YA: Games Night 3YA: Rainbow Man, Kiwi Club FRIDAY, 5-6 p.m. 2YA: Talk on Ships, by Andy Man 3YA: Niccolo and Book Lady SATURDAY, 5-6 p.m. 2YA: Studio Party 3YA: " Eyes of the World" COMMERCIAL STATIONS. The Friendly Road Children’s Sex sion: 1ZB, 6.30 p.m., Sundays Children’s Sessions: 5 p.m., Mondays to Saturdays Uncle Tom’s Children’s Session: 5.30 p.m., Wednesdays
Permanent link to this item
https://paperspast.natlib.govt.nz/periodicals/NZLIST19390915.2.35
Bibliographic details
New Zealand Listener, Volume 1, Issue 12, 15 September 1939, Page 27
Word Count
248Boys and Girls... New Zealand Listener, Volume 1, Issue 12, 15 September 1939, Page 27
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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