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A CAUTION

—by Seaton Gordon

AS little ‘gardening’ as possible should be done: the cutting of the herbage, etc., is rarely justified. If the surroundings be pressed down with the hand, or pegged down if on the ground, or tied out of the way if in a tree or a bush, the photographer can restore the original appearance, and the bird will almost certainly return when the photographer has left. I feel that many bird photographers are too anxious to rush things they set the hide near the nest at once instead of moving it up gradually; they expose the nest while the bird is still nervy because of their strange activities. If the photographer treats the bird with consideration, moves his hide gradually nearer the nest, and does not expose the bird all at once to anxieties, there is little chance of her forsaking. But how many bird photographers take the trouble—or can spare the timeto do this?

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/FORBI19400201.2.9

Bibliographic details
Ngā taipitopito pukapuka

Forest and Bird, Issue 55, 1 February 1940, Page 5

Word count
Tapeke kupu
159

A CAUTION Forest and Bird, Issue 55, 1 February 1940, Page 5

A CAUTION Forest and Bird, Issue 55, 1 February 1940, Page 5

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