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NEW PARIS MAKE-UP.

A “MATCHED” OOMPLEXION. Every new season brings some change in make—up fashion. just as it brings changes in the world of dress. Now we learn. in the latest news from abroad, that make-up has become more than ever glamorous for evening wear, while it is rather more simple and natural in the day time than it was last year. This is certainly as it should be. Exotic effects by artificial light can be fascinating and rather _amusing, however unnatural; but good taste must always dictate a sparing and simple use of cosmetics when one is out of doors in the \\‘ork-a—dny world. The great, thing \\ hieh modern make-up experts have discovered is that the clever woman must not try to hide her shortcomings, but hy skil--I'ul use of cosmetics she must learn to make a \‘eritue of it colourless skill or eyes too light in into. At one time it girl with o saliow roinpiexion used rouge and pink powder to t'Olit'L'ill the fact, and so she became merely non—tlcseript. Not so to—duy. Now, suppose you belong to that olive type, with nothing special in the way of features, and dark, straight hair. Then cultivate, distinction. says Paris, and be really olive—or rather more 50. Avoid rouge altogether, and use one of the new ivory powders with n tinge of green in it. Let your lipstick be a Chinese red and your eye shadow moss green. Achieve Distinction. This is your evening make—up, of course. ;\ rattler severe hairdressing style should go with it, and so you cannot fail to uchiem di-slinrtion. lie—ineinhor always that eye shadow is the. most dangerous cosmetic of all. lintlgt‘rolls, lit-muse it' you have not taste and skill in the choosing and applying of it you run just us easily spoil your :ippenrnni'e us iuipl'o\'e it. liirls with hollow eyes will often looii quite haggard if :t shutting ot' hluu or _‘—"|‘l‘l‘ll is used on the lids. inn-l; law tshutling's |ll.l|il' the t‘}l‘,~' l't'i'i‘tl" stilt tl'urlhi'l'. l’ni'is hlis ttl'l‘l'L‘l‘tl Hlt' nimt ti‘ttst‘iuzllin; t'}l' shluttm Is it I'.iin!l,\ :listt'nilig’ silwia \\ith-h is wry lowly tor IDIHI‘ or light I-‘l‘t',\ I‘}l‘>. 'l'hl‘ llt|\\lll‘}' to hr usml \\ith it is u pout-ll tliosminl tullt'. and tho I'nttuv i~ HHI‘ ul ‘Hlt' ti'?lll~[l.tl‘t'll| idllsh-i'ow rotourings. tutti! VI liltbtlt'k oi tI ill'ept‘l' shade, it lion “in; to he really‘up to gate touch

the lashes with a midnight blue mas—cara to complete the west. To-day the markers of cosmetics employ colour artists They have gone to Nature l'or tones of mist blue. moss, and pale—sky to accentuate the beauty or heauty's eyes. For the woman of mature loveliness, with white hair, ‘lthere is an amcthyst hue like a l shadow on a. hillside. So many girls make the mistake of ’using a smart make—up and then [being careless about some detail oi! Etoiiet or hairdressing. Only perfect; , grooming can make an elaborate make—!up look right. For instance, what can I more surely destroy the oileot of well]t:hosen cosmetics than a. sunburnt Itriangie at the base of the throat, or {a neck in need of a neck trim? Also, iit' you are going to use mascara on leyebrows you must sec that any i straggling hairs are tidied up with the liiiuckers, especially those hairs he— Itween tho brows which one so often rsocs on (tori; girls. The removal or just half a dozen of these, from the inner corner of each jcyebrow, can often work wonders in making the eyes look \\‘ML‘l' uliurt, und giving them a youthful, cuntlitl L‘xpresslon. ! Variety of Powders. i In making—up do not give more ill.:iontion to one purl of your face than the other. Forchctuls are often scri,uusly nrglncieti, and it is -llll)l‘c unlo\'ely lo sec :1 bl‘cllltl, shining i'orchend ,in q-uite it different tone from the nose iztnd chin. The clever young Parisian 'of to—day does not choose one powder, rlipstick, and rougté, and use it week lin, week out. Sho 11:15 halt ii dozen ‘th each always handy, 11111 l \‘uries them according to the colour oi" the frock isho is going to wear. This may sound expensive, but it is not really so. There is, of course. the initial nullity, ,lrut it' you have six in use. each one iiusis just. six times as long.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/WT19360602.2.44.9

Bibliographic details
Ngā taipitopito pukapuka

Waikato Times, Volume 119, Issue 19901, 2 June 1936, Page 5

Word count
Tapeke kupu
715

NEW PARIS MAKE-UP. Waikato Times, Volume 119, Issue 19901, 2 June 1936, Page 5

NEW PARIS MAKE-UP. Waikato Times, Volume 119, Issue 19901, 2 June 1936, Page 5

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