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Waikato Times, Volume 119, Issue 19886, 15 May 1936, Page 3

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o Cmema . . . i i Snapshots 5 ...—”___...W‘ 1 Caplam Blood. The gouilv .u'l of pirnr}, \\hirh all“ ii~ hwy—tiny in Hm PIRACV ISN’T >t'\t‘lllt‘l'lllll «'A‘niur)‘. WHAT IT slill tlourishl-s lu— USID 70 BE. tho—but tho N‘YCH‘ tvvnlh rvniur)‘ bur(lanecr, were he :iliw. \\ Dull] look With sworn on his tuvnlieth rcntury rounterpart. Back in the iu'l‘im] “hiuh Rafael Sabatlnt mum: zlimiu " Monti-tin 1310011." pirates \\'q'[‘|| daring. sunnhhm‘kliu?~ fellows‘ Ol'tt‘n zvnth'mun u<i\uuturr‘r.~ nperuiing llllilt‘l‘ a "loner of mai‘tlllt‘" Or license frmu ihn: king, Phillip Gone. uuthoril)‘ on 'bucmnears and t‘ree-‘lwuters. hears out the authentirity ot‘ fililmtini‘s yurn. which has been illmotl by LZusmupoluau Pro—ductions for Warner Brothers‘ release. In an appendix [0 his “History or Piracy," Uusse remarks that the present-day pirate would have .been “hootEd off the poop dark“ or any self—reopening shin flying the Holly Boser in the grout days. of the Spunish Main. ‘ Civilisation hnsn‘i been able to curb the 'piratlcal instinct, but it has taken piracy out of the Robin Hood aura which Sabatini gave it. In Sabatlni's story. “Inch could have happened even if it didn't, “Captain Blood" is a former English doctor who was captured and enslaved (luring Eng—land‘s long “or wlth Spain. Making his escape. the former doetur turned lreebooter and preyed on Spanish ships. In the film version, the role of Peter Blood is taken by Errol Flynn. a young Irishman. playing his first major roll on the American women. Flynn's true life story is almost as exciting as “ Captain Blood's.“ At twenty-six he has been a gold prospector in New Guinea. captained a pearling schooner in the South Seas. sailed a thousand miles of treacherous ocean in u iO- - open boat and—murricd Liii Dnmitn. Playing: I"DPU.\HL‘ Finn: in ”llupiuiu Ftloml" is IS-ycul‘vultl Olivia \le Hm'iL lanrl. ills” ti ueuro-nn‘r to tho screen, \‘lm l'nm‘ M stardom eit‘lrr hvr \wrk 1h ",\ .\lini.~unuut'r Night's- lit-mum“ Llom'll .\l\\:|i. ILI‘H l'lllHilln‘iL'. l‘msal .-\lv‘x.unlrr. liu) lx'ilvlmr unui ultrxruu of: others .Irv .lisu in lhx- rust. Mit'liin‘l Curtiz illl't'i'lrll Hm picture. ‘W‘lxi. «at. «MN:‘l_,_\”J .1 J r; . _> V»: ’ if "5:: k {l} :55; ‘5. ».; ~ I t‘ \ :::‘:.- | l _ : .A ~ 2“ ROGHELLE HUDSON. Lovely slur or ”iv lmrrH l“. Zunuck prmlurtiuu, “Sh-v“ 'l‘hrin No Merv} Y" Michael Bartlett. Michael Bartlett, (:oiumln‘n‘s internationally t' nin 011 s. lAMOUI tenor. was Grace TINOR- Moore's loading mam in “Love Me For—ever." and later appeared Upposltt‘ Claudette Colbert in “She Married Her Boss," will probably get the palm for the most unusual bit of screen singing this year. in Columbia‘s “The Music Goes 'nouml.” ro—siurriu: Harry Birhmnn and Rnrhrlle Hudson, 381110". Who rmnc to picturvs from gram-1 opera. will surprisv audiences ihy rendering. in vouwutionul uporniii' fashion, the familiar munhor. "The Music fines 'ilnuml and .\rnun<l." Al—though Barth-it \\.|,~ uul I';l.~l inr in role in tho picturm ltirm-lur \'irinr Schertziugcr rum-rival tln' nun-1 illmi. Harry llirhmun lntrmlum-s linrlhgn d, a night club guusr >\ M'mphunx "Who‘ll“ drrnumanios liiml ‘ Shout: inx Hu‘ m‘vuo rvm'utly nl (lulumhia Studio's. u‘liritml \‘lli'l‘l‘s’. ..ImlJuN. (llltl reqlirsts for t‘lll‘ttl‘l‘,‘ l'ruul t‘\|'l‘\l|nt‘ on the set. ' mm..---. She Calls I! World The postman hunt-mill} ~1H“H:i~ m, (“‘3' 0" iflkin: a “UL \unv Slurlm. lT—yt‘ur-oltl smuwu ~|..r_ nu“ minim-arr ing in “K” [Luna " I.ll.iiim'lm\.” spends linr Slhil't‘ iuiu- .ii in gut-hm. theatre. .\nm~ ilwl'\i).l J'II‘HII ”WWW just for fun, Flu- i‘-|ll~l‘iv‘ll'ii\l|<l\' smm the now Ail’l'vluuus, .mrl “lift-lip" illu work of Hit‘ livwfuw with u i'l'illl‘i:]\ : approx-hm aw. -’ \\r r "w mm in' pictures I‘wr 1' urban sw,"\_' \‘.“! Shirl?" 51“, ‘ ~' " ‘1 .tlg 1“,,“ ‘ evorythin; ..lwn {lnr‘ rm; i‘w been silliliiii; «gum, “mm H in" hark as l mu v» um _ d“ art sturlm'l s'uviuw -y,.\uu-im...,,\ 1i hi‘l‘" tn.lv-i:‘u ~\ 'i u" ~-.-':t gym ..wL |‘ in: J.‘ l with "ml i‘~‘:-'\ ..‘. \mg.,.--' “my i“iu I” “Wilt. Jul i:|.f\~iu~" the 1~.~.~t :‘::::t~.' ‘ ;

erj'rnn \ \‘?l I'\! 41M I.w|\ Ll Hwlxnc' I‘m-1| wl‘lml Iv: Hm ur~l u!‘ “Dancing l‘H'iU'x' :‘w m-u unluur musivnl “Incl: l'E-rnmr I'm-[mu urmaking‘ 0 t t t LE\\' AYRICS .xnd Flurvnru- Him‘ haw been giw'n lhn lv'mlm: rulvs in Columbh‘s "i‘anin Im lln- .\ir.“ I). no". Lulrl'nmn ‘ln'm‘ts. t u a 1: MADELEINH CARROLL and Henry ‘ Fonda lmu' hcvn <ll:an In play in n pin-turn {or \\'.u‘nvr.~'. Miss thlrl‘uil “-cenlllx- \wnl In Hullnuuul ulhlm' ”mum to Walter “anger.