STAGE FOLK

Wairarapa Times-Age, 5 October 1939, Page 4

STAGE FOLK

WAR AND THE THEATRE.

Although the war has had the immediate effect of upsetting theatrical schedules, it should, judging by conditions during the last European upheaval, ultimately stimulate the show business.

E. J. Tait went to Melbourne re-, cently to confer with his fellow-direc-tors regarding policy; and to decide on the future plans of J.C.W’s. Although, at the time of writing, nothing has been definitely settled, the "Firm" has not forgotten that straight shows suffered badly last time. No one is likely to be in the mood for murder mysteries, problem plays, or pieces that demand concentration. It can, therefore, safely be assumed that the programme of future attractions will consist almost entirely of light musicals, and possibly revues. Whether Australia js to see the Russian ballet this year is one of the matters to be decided. The women would be able to travel, but many of the men are likely to be called up for service by France or Poland.

The view is taken that easily-digest-ed theatrical fare will be wanted, and those interested are busy considering a plan along those lines. Few producers in Australia have had as much experience with two-a-day revues as Mike Connors and Queenie Paul, but no announcement has been made regarding them. Frank Neil’s bookings, made during his recent trip abroad, will carry him on for 12 months if the artists can get out to Australia.

After that, for a little, it may be necessary to substitute a few American for English acts until the British Navy makes the sea absolutely safe for travelling pros. During the last war London musical shows boomed. Oscar Asche’s "Chu Chin Chow" ran for over four years to packed houses, and George Robey and Violet Lorraine- appeared in the "Bing Boys” and the “Bing Boys on Broadway” for three and a-half years.