Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image

A SKETCH FROM A PARIS SALON.

I hung about what I thought was the prettiest woman in the room, and finally obtained an introduction. The lady is of a noble Hungarian family, fair, with that dark brown reddish- hair which is just going on to begin to be golden, but never shines out. I will tell you how she was dres3ed in my imperfect mode of diction. Pale oval face, heavy eyebrowß, bright bronze eyes. Small festoons of hair over the brow, imprisoned by a golden metal band. A rose over the left ear. Let me go round behind, a "Bismark chignon." A'lnass of twisted hair, in a sort of Laocoon agony, was decorated with small insects (of course, I don't mean- anything impossible), glittering, gem-like beetles, from the Brazils. Three very long curia hung from the imposing mass, and could be worn before or behind, and made to perform, as I witnessed, all sorts of coquettish tricks. I learned later from a spiteful old lady that the whole of this great' art-hair triumph was stuck on in a mass, and " done in a minute." It is very beautiful, thought I, as I gazed at the ladies' backs ; true or false, it moves the heart and pleases the imagination. Now for the dress. Well, there is nothing to describe till you get very nearly down to the waist. A pretty bit of lace on a band wanders down over the shoulder ; the back is bare very low down, and more of the bust is seen than- ever last year's fashions permitted. Imagine an extinguisher's top cut off and placed immediately under the arms of a lady; imagine it a pale green with a gold fringe. Keep on-imagining, please, and picture that from the bottom of the extinguisher there spreads a most spacious white gauzy robe with a train, all tulle d'illusion, so full of small puffs, and so wide, spreading and producing in action a faint silvery rustle. How it is supported, whether by crinoline, or some new inflating material, who can ever tell ? As a great philosopher has said, " The wisest know lifble about women." Now, this is. a toilette, or, as they are now called, costume, which has to be navigated about the room. The train will get into all sorts of comic positions if not properly ruddered. To bring one of these dresses safe into sofa port is a work of skill and* daring. ;

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/TT18680822.2.21

Bibliographic details
Ngā taipitopito pukapuka

Tuapeka Times, Volume I, Issue 28, 22 August 1868, Page 5

Word count
Tapeke kupu
407

A SKETCH FROM A PARIS SALON. Tuapeka Times, Volume I, Issue 28, 22 August 1868, Page 5

A SKETCH FROM A PARIS SALON. Tuapeka Times, Volume I, Issue 28, 22 August 1868, Page 5

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert