The Model Millionaire.
Unless one is wealthy there is no good ii being a charming fellow.' Romance is th< privilege of the rich, not the profession Oj the unemployed. The poor should be practical and pr©3aic. It is better to have a permanent income than to be fascinating. These are the great truths of modern life which Hughie Erskine never realised. Poor Hughie ! Intellectually, we must admit, he was not of much importance. He never said either a brilliant or illnatured thing in his life. But then lie was wonderfully good-looking, with his crisp brown hair, his clear-cut profile, and his grey eyes. He was as popular with men as he was with women, and he had every accomplishment except that of making money. His father had bequeathed him his cavalry sword, and a "History of the Peninsula War " in fifteen volumes. Hughie hung the first over his lookingglass, put the second on a shelf between "Ruffs Guide" and " Baily's Magazine," and lived on two hundred a-year that an old aunt had allowed him. He had tried everything. He had gone on the Stock Exchango for six months ; but what was a butterfly to do among bulls and bears ? He had been a tea-merchant for a little longer, but had soon tired of pekoe and souchong. Then ho had tried selling dry sherry. That did not answer. Ultimately he became nothing, a delightful ineffectual young man with a perfect profile and no profession. To make matters worse, he was in love. The girl he loved was Laura Alert on, the daughter of a retired Colonel who had lost his temper and his digestion in India, and had never found either of them again. Laura adored him, and he was ready to kiss her shoe-strings. They were the handsomest couple in London, and had not a penny- piece between them. The Colonel was very fond of Hughie, but would not hear of any engagement. " Come to me, my boy, when you have got ten thousand pounds of your own, and we will fcee about it,"' he used to say ; and Hughie looked very glum on those days, and had to go to Laura for consolation. One morning, as he was on his way to Holland Park, where the Mertons lived, he dropped in to see a great friend of his, Alan Trevor. Tievor was a painter. Indeed, few people escape that nowadays. But he was also an artist, and artists are rather rare. Personally he was a strange, rough fellow, with a freckled face and red hair. However, when he took up the brush he was a real master, and his pictures were eagerly sought after. He had been very much attracted by Hughie at first, it must be acknowledged, entirely on account of his good looks. "The only people a painter should know," he used to say, "are people who are bete and beautiful, people who are an artistic pleasme to look at and an intellectual repose to talk to. Dandies and darlings rule the world !" However, aiter he got to know Hughie better, he liked him quite as much for his bright buoyant spirits and his generous reckless nature, and had given him the permanent entree to his studio. When Hughie came in he found Trevor putting the finishing touches to a wonderful life-size picture of a begger-man. The beggar himself was standing on a raised platform in a corner of the studio. He was a wizened old man, with a face like wrinkled parchment, and a most piteous expression. Over his shoulders was flung a coarse brown cloak, all tears and tatters ; his thick boots were patched and cobbled, and with one hand he leant on a rough Ftick, while with the other he held out his batted hat for alms. " What an amazing model !" whispered Hughie, as he shook hands with his friend. "An amazing model?" shouted Trevor at the top of his voice; "I should think so ! Such beggars as he are not to be met with every day. A trouvaille, mon chcr ; a living Velasquez ! My stars ! what an etching Rembrandt would have made of him !" "Poor old chap!" said Hughie, " how miserable he looks ! But 1 suppose, to you painters, his face is his foi tune ?" " Certainly," replied Trevor ; " you don't want a beggar to look happy, do you ?" "How much does a model get for sitting ?" asked Hughie, as he found himself a comfortable seat on a divan. " A shilling an hour." "And how much do you get for your picture, Alan ?" " O, for this I get a thousand." "Pounds?" " Guineas. Painters, poets, and physicians always get guineas. " " Well, I think the model should have a percentage," said Hughie, laughing; " they work quite as bard as you do." "Nonsense, nonsense! Why, look at the trouble of laying on the paint alone, and standing all day long at one's easel ! It's all very well, Hughie, for you to talk, but I assure you that there are moments when Art approaches the dignity of manual labour. But you mustn't chatter ; I'm too busy. Smoke a cigarette, and keep quiet." After some time the servant came in, and told Trevor that the frame-maker wanted to speak to him. "Don't run away, Hughie," he said, as he went out. ' ' I will be back in a moment." The old beggar-man took advantage of Trevors absence to rest for a moment on a wooden bench that wasbehind him. He looked so forlorn and wretched that Hughie could not help pitying him, and he felt in his pocket to see what money he had. All he could find was a sovereign and some coppers. " Poor old fellow," he thought to himself, "he wants it more than I do, but it meaus no hansoms for a fortnight ;" and he walked across the studio and slipped the sovereign into the beggar's hand. The old man started, and a faint smile flitted across his withered lips. "Thank you, sir," he said, in a foreign accent. Then Trevor arrived, and Hughie took hiß leave, blushing a little at what he had done. He spent the day with Laura, got a charming scolding for his extravagance, and had to walk home. That night he strolled into the Palette Club about 11 o'clock, and found Trevor sitting by himself in the smoking-room drinking hock and seltzer. "Well, Alan, did you get the picture finished all right ?" he said, as he lit his cigarette. " Finished and framed, my boy !" answered Trevor; "and, by the by, you have made a conquest. That old model you saw is quite devoted to you. I had to tell him all about you — who you are, where you live, what your income is, what prospects you haye — " "My dear Alan," cried Hughie, "I shall probably find him waiting foy me when I go home. But of course you are only joking. Poor old beggar ! I wish I could do something for him. I think it is dreadful that ai.yone should be so miserable. I have got heaps of old clothes at home - do you thizik he would care for any of them ? Why, his rags were falling to bits." " But he looks splendid in them," said Trevor. " I wouldn't paint him in a frockcoat for anything. What you call rags I call romance. What seems poverty to you is picturesqueness to me. However I'll j tell him of your offer."
"Alan," said Hughie, seriously, you, painters are a heartless lot." "An artist's heart is his head," replied Trevor; " and Resides, our business is to realise the world as we see it, not to reform it fts we knQW it, A chaeun son metier. And now tell me how Laura ie. The old model was quite interested in her," "You don't roan to say you talked to him about her ?' said Hughie. "Certainly I did. He knows all about the relentless colonel, the lovely damsel, and the £10,000." " You told that old beggar all my private affairs ?" cried Hughie, looking very red and angry. 11 My dear boy," paid Trevor, smiling, " that old beggar, as you call him, is one of the richest men in Europe. He could buy all London to-morrow, without overdrawing his account. He has a house in every capital, dines off gold plates, and can prevent Eus&ia going to Avar when he chooses." "What on earth do you mean?" exclaimed Hughie. " What I say," said Trevor. "The old man you saw to-day was Baron Hausberg. He is a great friend of mine, buys all my pictures and that sort of thing, and gave me a commission a month ago to paint him as a beggai\ Que voulez-vous ?La fantai&ie dun millionnaire ! And I must say ho made a magnificent figure in his rags, or perhaps I should say in my rags ; they are an old suit I got in Spain." " Baron Hausberg !" cried Hughie. " Good heavens ! I gave him a sovereign !" and he sank into an armchair the picture of dismay. " Gave him a sovereign !" shouted Trevor, and he burst into a roar of laughter. "My dear boy, you'll never see it again. Son affaire c'ctf VartjeM dcs autres." " I think you might have told me, Alan," said Hughie sulkily, " and not let me make such a fool of myself." "Well, to begin with, Hughie," said Trevor, "it never entered my mind that you went about distributing alms in that recklefas way. I can understand your kissing a pretty model, but your giving a sovereign to an ugly one — by Jove, no ! Besides, the fact is that 1 really was not at home to-day to anyone ; and when you came in I didn't know whether Hausberg would like his name mentioned. You know he wasn't in full dress." " What a duffer he must think me !" said Hughie. " Not at all. He was in the highest spirits after you left : kept chuckling to himself and rubbing his old wiinkled hands together. I couldn't make out why he was so interested to know all about you ; but I see it all now. He'll invest your sovereign for you, Hughie, pay you the interest every six months, and have a capital story to tell after dinner." " I am an unlucky devil," growled Hughie. "The best thing I can do is to go to bed ; and, my dear Alan, you mustn't tell anyone. I shouldn't dare show ray face in the Row." "Nonsense! It reflects the highest credit on your philanthropic spirit, Hughid, and don't run away. Have another cigarette, and you can talk about Laura as much as you like." However, Hughie wouldn't stop, but walked home, feeling very unhappy, and leaving Alan Trevor in fits of laughter. The next morning, as he was at breakfast, the servant brought him up a card, on which was written "Monsieur Gustave Naudin, de la part de M. le Baron Hausberg." " I suppose he has come for an apology," said Hughie to himself ; and he told tne servant to show the visitor up. An old gentleman with gold bpectacles and grey hair came into the room, and &aid, in a slight French accent, "Have 1 the honour of addressing Monsieur Hugh Erskine ?" Hughie bowed. " I have come from Baron Hausberg," he continued. " The Baron — " "I beg, sir, that you will offer him my sincere apologies." paid Hughie. " The Baron," said the old gentleman, with a smile, " has commissioned me to bring you thi3 letter ;" and he handed Hughie a sealed envelope. On the outside was written, " A wedding present to Hughie Erskine and Laura Merton, from an old beggar," and in&ide was a cheque for £10,000. When they were married Alan Trevor was the best man, and the Baron made a speech at the wedding breakfast. "Millionaire models," said Alan, "are rare enough ; but, by Jove, model million aires are rarer still !"
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/newspapers/TAN18871008.2.60
Bibliographic details
Ngā taipitopito pukapuka
Te Aroha News, Volume V, Issue 223, 8 October 1887, Page 7
Word count
Tapeke kupu
1,977The Model Millionaire. Te Aroha News, Volume V, Issue 223, 8 October 1887, Page 7
Using this item
Te whakamahi i tēnei tūemi
No known copyright (New Zealand)
To the best of the National Library of New Zealand’s knowledge, under New Zealand law, there is no copyright in this item in New Zealand.
You can copy this item, share it, and post it on a blog or website. It can be modified, remixed and built upon. It can be used commercially. If reproducing this item, it is helpful to include the source.
For further information please refer to the Copyright guide.