CAPTURING POLO THRILLS

Sun (Auckland), Volume IV, Issue 1031, 23 July 1930, Page 17

CAPTURING POLO THRILLS

SK CAMERAS FILM ACTION Polo mafnh re thrills of an exciting se< Hieno*i w nich forms an interesting JJ*» a recei ?tly completed all***c*ure ' six cameras were I°t tie a P lat torm in the centre 4# field and photographed Point. r ~ om this splendid vantage

The scene was filmed for “The Social Lion,’* Jack Oakie’s first starring talkie, in which he appears as a polo player. The platform was constructed just high enough to allow the ponies and riders to pass beneath time and again, thus giving

t hundpJ?«* K,e effect of horses The mm rlß:h t into the cameras. v Uitin» -Argentine polo team, n *tion»i ai * rnla for the annual inter- ; Hquence ma ~? bes ’ took part in the Bav e an" The v °lunteer polo players I loom e *cellent display, extending ' i rider » to their utmost and m °Uon ni«* n °te of realism to the n pic ture scene.

3j i<i the * be late Russian Czar, J°llower» o XUriouß c astles of his royal » amon E the historic build - Gloria? of*?? in Hollywood by First tudlos In filming their first °Peretta, “Song Of The Mac* ' Q - Square, gathering p ‘U«Bia n e revolutionists—small >*iver kl , e ® —Petrograd Streets — A nlc wJ th its shacks und Jftojio. * h ” a Kasanov Castle —are WUt ■nany Slavic structures Ptctusft, U