CIVIC

Sun (Auckland), Volume IV, Issue 1022, 12 July 1930, Page 15

CIVIC

“CZAR OF BROADWAY” An exceptionally thrilling under- j world story is being shown at the Civic Theatre in “The Czar of Broadway.” The film abounds in dramatic incidents that require acting of the highest order, yet not once is there a suggestion of melodrama or “over-acting.” The leading role, that of a master criminal, is admirably portrayed by John Wray. The part calls for exceptional skill and frequent changes in expression and style of acting. As a “king” of the underworld, city business man and social leader, Wray is equally successful. Popular Betty Compson, who has the only feminine part, has never appeared to better advantage. She is the central iigure in several cabaret and night club scenes, which give her ample opportunity to demonstrate her abilities as a singer. John Harron plays opposite -to her and gives his usual interpretation of the innocent arid romantic •young man. Another important role, that of a “gentleman gunman,” is played by Claud Allister, whom many will remember us one of the “Three Uve Ghosts.” His performance B is excellent and altogether different fjL*om his previous characterisations. Although essentially a story of. the underworld, there is nothing grotesque, while comedy relief is generously provided. The settings and photography are all tliq.t could be desired. The remainder of the programme at the Civic is of an equally high standard. Ted Hegikel’s Civic Concert Orchestra plays selections from “No, No, Nanette,” as well as a number of wellknown pieces before 8 o’clock. Fred Scholl, at the grand organ, entertains with a novelty entitled “Sharps and Flats.” Among the shorter pictorial items there is a particularly clever and witty comedy, “Her New Chauffeur,” an Oswald the Rabbit cartoon, and the latest Fox Movietone News. Among these interesting snapshots of news there is an interview with Mr. Stanley Baldwin. ROXY “THE MELODY MAN” The Columbia all-talking film. “The Melody Man,” is rich in tender charm and has an appeal that is universal. This is mainly due to the quaint tenderness and remarkable simplicity that pervades the picture, now at the Koxy Theatre. The director, Mr. R. .William Neil, has handled the story artistically. Consequently, natural appeal rather than theme songs and dances gives “The Melody Man” a strong box office impetus. The story concerns a Viennese composer, who is forced to take refuge in America with his infant daughter, after killing his wife and her secret lover, thus sacrificing a brilliant musical career. When the girl grows up her inherited love for music turns to jazz and she finds herself in love with the young conductor of the “Jazzbos” band. A clash follows when the father discovers that the spirit of jazz is winning his daughter and invading his home. He is arrested when one of his most famous compositions is heard by a Vienneso agent, who has been sent to New York to look for him. Bright talking and singing featurettes are also being shown. BAND AT ZOO TOMORROW An interesting programme will bo played, at the Zoological Park on Sunday afternoon at 2.45 by the Municipal Band. Bright marches, hymn tunes, selections from "The Student Prince” and “Reminiscences of Ireland,” overture, "Be Roi D’Yvetot,” and instrumental solos are. among the numbers to be rendered.