Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image

CIVIC

“ATLANTIC” If the British talking- film producers can continue to provide films of the quality of “Atlantic,’* to be seen at the Civic Theatre this week, they will have small need to fear American competition. “Atlantic” is British-made, for British people, and into the bargain it is a remarkably fine film, with a dramatic intensity that cannot fail to grip all who see it. The story is concerned with the development of that strength of character in the average person which can stand against a supreme emergencyin this case, the wreck of an Atlantic liner on an iceberg while it is making a record trip. The source of the film is the play, “The Berg,” by Ernest Raymond, but there is some simplification for film purposes, for one or two long moralising passages have wisely been cut out. In its earlier stages the film , confines itself to building up a general impresteion on the lives and natures of the people concerned, the plans they have in view, and of the atmosphere of such a journey. When the tragedy occurs, few of the passengers will believe that it is really serious, 'and the knowledge is kept from the majority as long as possible. There is room in the boats for the women, and they are certain of safety if they can survive the cold, but all those who have to remain aboard —the men and a few women who will not leave their husbands—are equally certain to be lost. There are some scenes of real dramatic power, and the whole is characterised by English emotional restraint. ‘Atlantic” is vastly different from the majority of films, and should not be missed by any lovers of the drama. The voices and sound effects generally are very good, and the film is acted by a company of splendid Englist artists, including Miss Ellaline Terris (Mrs. Seymour Hicks), Franklyn Dyall, John Longden, Donald Calthorp, Monty Banks, John Stuart, Madeline Carroll, and Joan Barry. Excellent supports and a musical programme by 'Ted Henkel’s fine orchestra, and by Fred Scholl at the organ, complete the entertainment.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/SUNAK19300512.2.173.6

Bibliographic details

Sun (Auckland), Volume IV, Issue 969, 12 May 1930, Page 15

Word Count
350

CIVIC Sun (Auckland), Volume IV, Issue 969, 12 May 1930, Page 15

CIVIC Sun (Auckland), Volume IV, Issue 969, 12 May 1930, Page 15

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert