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This photograph was taken just after THEODORE ROBERTS returned to the screen following two and a-half years’ absence owing to illness He is here seen with JOHN GILBERT in a scene from “THE MASKS OF THE DEV IL," wh ich was the last picture that Roberts completed -before his death recently in Hollywood, It was directed by Victor Seastrom, for Metro-Gold-wyn-Mayer, and is described as an exceptionally powerful drama. Gilbert gives a masterly exposition of acting, and is ably supported by the “grand old man, whose death has removed a notable figure from the movie world.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/SUNAK19290429.2.136.4.1

Bibliographic details

Sun (Auckland), Volume III, Issue 649, 29 April 1929, Page 15

Word Count
96

This photograph was taken just after THEODORE ROBERTS returned to the screen following two and a-half years’ absence owing to illness He is here seen with JOHN GILBERT in a scene from “THE MASKS OF THE DEVIL," which was the last picture that Roberts completed -before his death recently in Hollywood, It was directed by Victor Seastrom, for Metro-Goldwyn-Mayer, and is described as an exceptionally powerful drama. Gilbert gives a masterly exposition of acting, and is ably supported by the “grand old man, whose death has removed a notable figure from the movie world. Sun (Auckland), Volume III, Issue 649, 29 April 1929, Page 15

This photograph was taken just after THEODORE ROBERTS returned to the screen following two and a-half years’ absence owing to illness He is here seen with JOHN GILBERT in a scene from “THE MASKS OF THE DEVIL," which was the last picture that Roberts completed -before his death recently in Hollywood, It was directed by Victor Seastrom, for Metro-Goldwyn-Mayer, and is described as an exceptionally powerful drama. Gilbert gives a masterly exposition of acting, and is ably supported by the “grand old man, whose death has removed a notable figure from the movie world. Sun (Auckland), Volume III, Issue 649, 29 April 1929, Page 15

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