CAMERA ANGLES
PHOTOGRAPHY OF “FOUR SONS” So-called “trick** camera angles have n - , place * n the present day director’s make-up, unless there is a specific eason for the camera being placed in a unusual position, declares John ® r a, director of the sensational suc- ' s s. "F° ur Sons,” which will be shown t the Strand Theatre commencing January ;.’5. rhere "as a time, Ford avers, when spent sleepless un fi Suring out “crazy” angles for QUsuul shots. Directors were carried a way with the idea that the "worm’sye view” and ‘eagle’s-eye view” were for the success of a picture, the result was a weird assortment Un !nteresting trick shots. Those are gone. w "ile Ford’s newest picture is interspersed with several new and interestrJJ Photographic effects, there is not tn , lnstance where the desire for the 5, ®hot is in evidence. Margaret Mann, Earle Foxe, Charles u Orton. James Hall. George Meeker, Collyer - Francis X. Bushman. Jnr.. Mix, and others are cast in Prominent roles.
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https://paperspast.natlib.govt.nz/newspapers/SUNAK19290117.2.157.2
Bibliographic details
Sun (Auckland), Volume II, Issue 564, 17 January 1929, Page 15
Word Count
165CAMERA ANGLES Sun (Auckland), Volume II, Issue 564, 17 January 1929, Page 15
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