THE TRAIN STYLE
MANY NEW EVENING GOWNS USE IT TO ADVANTAGE I Thu return of the train is definitely established in a number of the latest models. One stately evening gown usimr it. designed by Eouisebonlanger, is made of permanent moire in a luscious shades of pale gold. It is cut on princess lines and seamed from shoulder to hem to form panels that flut* about the bottom. The back of th* gown has a widening panel begun at one shoulder, which comes down to form a train, spreading out on the Poor. A’ coat of the gold moire is hnea with marigold velvet flares Wide below the hips, and dips at the back in Uic manner of tin train, with a high collar and cuffs of sable to add to its <*j>tinction. Another evening wrap created of Paul Poiret is made of gold lame wit a train that falls away from the garment, beginning at the waist line. * ; is made of a width of the fabric, untrimmed. The coat is bordered aroun i the neck, the front, bottom, and on tn | long flowing sleeves with wide s®* tions of black fox. - th The form of the train varies wv the type and lines of the gown. h 1 evening gown designed by Molynea it hangs to one side and a correspn ing oblique line catches the eye at top of the decollete bodice. Unless you are a trained artist and a good designer, it is risky to attel ?*\ the home decoration of furniture, • once applied to the wood, ornaments cannot be removed witnon* considerable trouble and expense, safer way lies in carrying out up paper a number of medallions fo r >u sequent pasting to the furniture T wish to adorn.
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Bibliographic details
Sun (Auckland), Volume II, Issue 526, 1 December 1928, Page 20
Word Count
292THE TRAIN STYLE Sun (Auckland), Volume II, Issue 526, 1 December 1928, Page 20
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