Page 24 Advertisements Column 3

Sun (Auckland), Volume II, Issue 340, 28 April 1928, Page 24

fl b hs b l 3 ■* His Masters Voice “HIS MASTER’S VOICE RECORDS A Special Selection from the May Catalogue. Vocal APOLLO GRANFORTE (Baritone) 12/6 D.B. 1044 Pagliacci—Prologue, Part 1— “Si Puo ? ** Leoncavallo Pagliacci—Prologue, Part 2 “ Un nldo ” Leoncavallo GIOVANNI ZENATELLO—APOLLO GRANFORTE 12/6 D.B. 1007—Otello —“ Si pel ciel” Verdi Otello—“ Una vela ! ” Verdi ROSA PONSELLE and GIOVANNI MARTINELLI 9/6 D. A, 810—Aida—“ La fatal pietra ” (.Part 1) Verdi Aida—“ Morir si pura e bella (Part 2) Verdi JOHN McCORMACK (Tenon 9/6 D.A. 917—Desolation Bantock A Dream of Spring Bantock THEODOR CHALIAPIN (Bass) 12/6 D.B. 1096—Don Quixote —Final Scene Massenet (The Death of Don Quixote) Parts 1 and 2 Massenet ANGELO MINGHETTI (Tenor) 12/6 D.B. 952—Boheme—“Che gelida manina ” Puccini Rigoletto —“ E il sol dell’ anima ’’ Duet with Luella Paikin Verdi D.A. 800 —Rigoletto —“Questa o quella” 9/6 (Act 1) Verdi Rigoletto—“La Donna e mobile’’ (Act IV.) Verdi TITO SCHIPA (Tenor) 9/6 D.A. 874 —Barbiere di Siviglia—“ Ecco ridente ’* Rossini Barbiere di Siviglia—Se il mio nome’’ Rossini ROYAL OPERA HOUSE CHORUS AND ORCHESTRA 7/6 C. 1422 —“Carmen”—Opening Chorus Bizet “Carmen” —Cigarette Chorus£i:c/ C. 1423—“Carmen”—Smugglers’ Chorus Bizet “Carmen”—March and Chorus Bizet FLORENCE AUSTRAL & BROWNING MUMMERY (Soprano and Tenor) 10/D. 1302 —“ Il Trovatore ” —Miserere Verdi “Il Trovatore ” —AiNostriMonti —(Home to our Mountains) Verdi Instrumental NAT SHILKRET and HIS ORCHESTRA & JESSE CRAWFORD (At the Organ) 7/§ B. 5345—Maybe—Fox-Trot Gershwin GEORGE OLSEN and HIS MUSIC Someone to Watch Over Me— Fox Trot Gershwin THE LONDON SYMPHONY ORCHESTRA \p _ D. 1230—First Movement—Allegro vivace e nobilemente. Parts ISc 2 D. 1231—First Movement. Parts 3& 4 D. 1232 —Second Movement-Larghetto. Parts 1 & 2 D. 1233 —Second Movement. Part 3 Third Movement—Rondo Presto) Part 1 D. 1234 —Third Movement. Part 2 Fourth Movement—Moderato e Maestoso. Part 1 D. 1235—Fourth Movement. Parts 2& 1 BERLIN STATE OPERA ORCHESTRA 10,D. 1294—Barbiere di Siviglia—Overture Parts 1 and 2 Rossini PHILADELPHIA SYMPHONY ORCHESTRA 10/D. 1285 —Invitation to the Waltz Weber Parts 1 and 2 ALFREDO RODE (Violin) 7/6 C. 1 380 —Zigeunerweisen iGipsy Airs) Sara&ate Variations on “ A Carnival of Venice ” Arr. Rode MAREK WEBER and HIS ORCHESTRA 7/6 C. 1407—Wine, Women and Song—Waltz ,T. Strauss Moonlight on the Als ter—Waltz Petros MARIO DE PIETRO (Mandoline) 5/B. 2475 —Mazur (Polish Dance) Felix Borowski MARIO DE PIETRO (Banjo* Keyboard Kapers H. Steele VICTOR OLOF SEXTET Instrumental Sextet* Si. B. 2451 Serenata Moszkowski Hungarian Dance, No. 5 Brahms COLDSTREAM GUARDS 7/6 C. 1370—LaFilledeMme. Angot—Selection Parts 1 and 2 Lecocf CREATORE’S BAND 7/6 E. 19—Cavalleria Rusticana —Selection Parts 1 and 2 Mascagni Greatest Artists —Finest Recording—Silent Surface Hear these played over by your dealer, they’re well worth the listening! The Greatest Portable “ Too Good for a Portable”—that’s the usual way most people describe the New “ His Master’s Voice ”• Portable Gramophone, for people have yet to realize that this “ His Master’s Voice ” instrument is no toy, but a real gramophone which is superior in tonal quality, volume and reality of reproduction to the Cabinet Models of most other makes. You must hear this little wonder—realize that you can take it anywhere, anytime, and you’ll surely become the proud owner of* the Greatest Portable. ■ Portable Model Price £ll