EVERYBODY’S
“THE ICING OF KINGS” "The King of Kings" still continue?* to attract large audien« es to Everybody's Theatre. A beautiful Easter garden containing a rook-cut tomb constitutes the scene wherein the makers of the picture, following the sacred tradition, have placed the events of the Resurrection. For many centuries learned controversy has been waged over the precise location—general opinion, how - ever, pointing to "a garden adjoininthe place Golgotha.” beyond the wesi - ern or northern wall. But whether or not the traditional Holy Sepulchre b the spot—in Jesus's day. without the walls, but now well within the city—the beauty and the newness of it wh -n Jesus was there, are inferred from Scripture, and have been reproduce*! in the picture with a true vision of the glory of that first Easter. Events after the Resurrection an«i , the Y’ision of the Two Mans are necessarily reduced 10 the Lord » manifestation before all of the disciples. Perhaps the most touching and beautiful theme in sacred annals, this is filled with moments to inspire th*highest artistry, and it is the hope «*. the producer that these scenes will *arrv their beautiful message everywhere.
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https://paperspast.natlib.govt.nz/newspapers/SUNAK19280402.2.158.11
Bibliographic details
Sun (Auckland), Volume II, Issue 319, 2 April 1928, Page 13
Word Count
189EVERYBODY’S Sun (Auckland), Volume II, Issue 319, 2 April 1928, Page 13
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