Page 15 Advertisements Column 1

Sun (Auckland), Volume I, Issue 285, 22 February 1928, Page 15

AMUSEMENTS REGINALD DENNY IN ii 99 Out All Might COMMENCING TO-MORROW AT THE PRINCESS and TIVOLI & THOMM A.O’BRIEN 9 FINAL SCREENING Charlie Murray—George Sidney in “ THE life of riley ’ “THE PRINCE OF PILSEN” Fun, Farce, Foolishness A Veritable Laugh Feast. SECOND SERIES OF 'THE POPULAR ‘'COLLEGIANS.” COMMENCING TO-MORROW (THURSDAY). THE SCREEN'S GREATEST COMEDIAN. Reginald Denny in “OUT ALL NIGHT” And DOROTHY MACKAIL JACK MULHALL, in “Man Crazy” Phones: Princess, 41-586. Tivoli, 44-136. CONTINUOUS FROM to*»% X>r Al. Wilson in THREE MILES UP” ADDITIONAL ATTRACTION, Charlie Murray—George Sidney in “THE LIFE OF RILEY” The Two Kings of Mirth in The Year's Biggest Comedy. TO-MORROW (THURSDAY). FIRST NATIONALS THRILLING COMEDY-DRAMA. JACK MULHALL DOROTHY MACKAIL in "MAN CRAZY." Also: A Mighty U.F.A. Production: WILLY FRITSCH LILLIAN HALL DAVIS in 66 Somebody’s Son 99 Phone 46-609. Phone 20-142. "Service For Ladies” with ADOLPHE MENJOU C AZZLING BACKGROUND HIS BEST YET. Also DELIGHTFUL COMEDY. RENEE ADOREE in ‘ Back to God’s Country” COMMENCING TO-MORROW (THURSDAY). The Two Kings of Comedy. CHARLIE MURRAY GEORGE SIDNEY in THE SEASON'S CONFLAGRATION OF LAUGHS, “The Life of Riley” *•«: ANITA STEWART GEORGE SIDNEY, in "THE PRINCE OF PILSEN.’ A Veritable Laugh Feast.

SUPER STAR VAUDEVILLE. “ART KAMO,” The Wizard Banjo-Mandolist. NORMAN AND VEIMIE, Vocalists and Dancers. And Other Popular Artists. Also: JOHNNV HINES in "HOME MADE.” GARY COORER in "THE LAST OUTLAW.” A Thrilling Drama of the Great Outdoors. Also: MONTE BLUE, PATSY RUTH MILLAR, "WOLF'S CLOTHING.” Latest Topical. Good Comedy.

fpmzcrt THREE LAMPS. "gT P Phono 26-041 j§ P^T^frg 1 KINGSI,AND -ix= Phone 20-821 TEACHERS OF ELOCUTION MRS. ARTHUR GRIFFITHS Spocia! Course for MARRIED LADIES •n^S pooch and Drawinq Room Recitals, unaes for BOYS and GIRLS (separate), also “TINY TOTS” Class. Voice Production. Dramatic and Humorous Sketches, Child Poems. STUDIO: 21 THE ACADEMY, UPPER QUEEN STREET. Charles Rogers’s smile will soon become as well known as Charlie Chaplin’s boots, for it certainly is the most devastating smile that lias found its way on to the screen for many years, of course, he is but a youngster, u ce < he tact that Mary Pickford chose him to play opposite her in “My Best Girl.” Charlie Rogers reckons he owes his start in life to his smile. He was; only a bit of a lad on a holiday tr°in school when a camera man from Hollywood visited his home town “looking for types.” He took a fancy to the •’lughing brown-eyed boy and took *ome photographs of him to take back 2. studios. Some days later, to Jh.xrlie's amazement, he was summoned to Hollywood to plav the leading role with Mary Pickford in her latest and greatest picture.