Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

NEW REGENT

“FIREMEN, SAVE MY CHILD”

To-night will see the final appearance of Fred Curran, the famous English comedian, whose parodies on popular songs have been delighting Regent audiences for the past two weeks. Laugh-thrills will be the order of the day at the New Regent Theatre on Friday, when the inimitable comedy team of Wallace Beery and Raymond Hatton will appear in their latest Paramount fun film, “Firemen, Save My Child."

This picture has been 1 acclaimed the greatest and funniest of the Beery - Hatton comedies, but it has the added novelty of being one of'those rare productions in which the spectator is carried through a succession of heartstopping thrills while being convulsed with laughter. In the production’s big scenes, which is said to have been produced on a more lavish scale than either of its predecessors, “Behind the Front” and

“We’re in the Navy Now," some of the most daring shots ever photographed by a camera were taken.

The rescues made by those intrepid fire-fighters, Beery and Hatton, involve some exceedingly risky work, but while

one wonders at their daring and the dangers they encounter, he is convulsed by the ludicrousness of their conduct, even in the midst of peril. The result is one of the most exciting humorous films ever made.

Edward Sutherland, director, and Monty Brice, comedy constructor, who served in these capacities on the previous Beery-Hatton farces, held the same posts for “Firemen, Save My Child." Tom Kennedy, Josephine Dunn, Joseph Girard and Walter Goss are other prominent members of the cast. On the stage to-morrow two celebrated grand opera singers, Bradford and Russo, whose collaboration and technique in the rendering of combined duets and solos are magnificent, will appear. These singers, already famed all over the world, are gifted with rich, melodious voices. The act is a splendid combination of vocal art and artistic scenery, rendering favourite excerpts from the popular operas and classical numbers, together with popular airs. They will sing in costume. Mr. Guttridge and his operatic orchestra will play the popular “Bohemian Girl." Eddie Horton, at the Mighty Wurlitzer, will feature Irving Berlin’s latest number, “What Does it Matter.”

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/SUNAK19271201.2.160.6

Bibliographic details

Sun (Auckland), Volume I, Issue 216, 1 December 1927, Page 17

Word Count
358

NEW REGENT Sun (Auckland), Volume I, Issue 216, 1 December 1927, Page 17

NEW REGENT Sun (Auckland), Volume I, Issue 216, 1 December 1927, Page 17

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert