Page 17 Advertisements Column 4

Sun (Auckland), Volume 1, Issue 102, 21 July 1927, Page 17

AMUSEIV O-IIE 2J =l2l “ The Theatre y JESSE L lA&KY FHSSIKT cA JAMES CRUZJE PRODUCTION asioi s WALLACE BEERY.' ESTHER. RALSTON GEORGE BANCROFT CHARLES FARRELL and JOHNNIE WALKER Story by LAURENCE STALLING^ m i.# u •ttTOWN HALL FRIEDMAN FINAL APPEARANCE UNTIL 1931 TO-NIGHT PROGRAMME: Sonata in F minor (Apassionata) Beethoven Mazurka in D major Chopin Two Studies in G flat major . Chopin Valse in A flat Chopin Fantasie in F minor Chopin Marquis and Marquise Friedman Two Studies from Opus 63 Friedman Magic Fire Scene (Valkyrie) Wagner -Brassin Valse Impromptu .. Liszt Viennesia e Napoli Liszt Reserved Seats, 10s and 7s 6d, at Lewis R. Eady and Son, Ltd.; 5s seats, RaySales at A. Coleman’s, Tobacconist, H.M. Arcade; 2s 6d admission at doors only. i FRIEDMAN TOWN HALL TO-NIGHT

“Flash,” famous motion picture equine recently signed to a long term contract with Paramount, enjoyed the same privileges as Pola Negri, Emil Jannings and Clara Bow before starting work in his new picture. Just as human actors are photographed for make-up and lighting, so was “Flash” accorded a film test before he appeared before the camera in Gary Cooper’s first starring picture “Arizona Bound.” The test was made to determine the colour of saddle to be worn and the best length of the mane and tail.