Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

At a Dress Show

jrrnwnTrT* • aiaxjxja- x*xajAA;axaj’.aai Ax;.»_AAAAjjJiAAAXAX'AX.*x.ts til xnxsxx as (From Our Correspondent.) London. Lovely spring colours and sensible treatment of our difficult skirts were the outstanding features at Isohel's fashion parade. “Isobel” is a young English designer who has gained a reputation for simple clothes. All the dresses are of her own design, cater for the taste of well-dressed women who are anxious to follow the trend and at the same time to avoid extremes.

Her show began with clothes for sports and morning wear. For these she showed skirts of reasonable length and a great variety of materials. The tweedy clothes had hats and caps to match. There were beige and black tweeds, beige and brown tweeds, emerald green worsted, and some charming cashmere mixtures in red and grey and beige and brown, while for summer she showed smart suits in shantung. Coat frocks in summer weight tweeds were particularly smart. The coat frock is well back into fashion, neatened up with a fitted line and a waist.

There was much blue, also teal, shown in her collection. Teal is fashionable for afternoon and evening, and also for sports wear in worsted. A lovely reception outfit in blue georgette had a three-quarter coat unlined and trimmed with grey fox, while an afternoon gown in midnight blue romaine, the shade that is like a bright navy, was made with a bolaro. Powder blue was used for a decorative afternoon gown with the fashionable clinging hipline.

The tightness of many of the frocks at the back was less trying in the models at this house, because'they were moulded to meet the fulness, but the tightness on the hips is going to be the big trouble in the future.

The very high collar has disappeared from all clothes. On short coats the “Johnny” collar is seen everywhere, and versions of it are also used on long coats. But there is also a bare neck look given by means of a cape, like a policeman’s bordered in fur, and set to swing with its own weight, just below the elbow. This was shown on a brown hopsac coat trimmed with fox.

Dusty white, or broken white, is being featured at all the dress shows. It is good in satin, but looks dirty in chiffon and georgette. Far better are the new satins in pearly shades, . showing iridescence of blue or green. French firms are calling this dirty white “Isabcau” white and are featuring it.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/ST19300604.2.95.4

Bibliographic details
Ngā taipitopito pukapuka

Southland Times, Issue 21100, 4 June 1930, Page 12

Word count
Tapeke kupu
413

At a Dress Show Southland Times, Issue 21100, 4 June 1930, Page 12

At a Dress Show Southland Times, Issue 21100, 4 June 1930, Page 12

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert