MAORILAND THEATRE.
FAY COMPTON’S LATEST. Miss Fay Compton, whose name familiar in Great- Britain, whose h trionie powers on stage and screen c take complete control of a speccato varied emotions and imagination hoi th<- c m table distinction of being : cepted through the entire world as screen star 'whose acting is flawle Several actresses enjoy popularity wi the public abroad but very few a clue equal a film success universally. S is, perhaps, the most prominent fern; ine personality in British drama a the extent of her versatility can judged in her performance in “Son how Good.” Saturday’s feature at t Maorilaiid Theatre “Somehow Gooc marks her finest screen achievement date. By her perfect portrayal of t wife she reaches the peak of emotic al character delineation. ■< “GOOD TIME CHARLEY.” The heart-some, mirthful, -tender, ( citing story of an old time soug-ai dance-man his pal, and his orphan daughter . . . , a play to see and remember —is “Good Time Charley Warner Oland, the finest character a< or of the generation gives his most 5 perb performance and Clyde; Cook, ms ter of humor is at his best. Hole Costello, as the dancing daughter, h an opportunity to act and to dam and does both with distinction. Oha ley’s daughter has' become famous a dancer, before he finds out the pc son who was responsible for h mother’s death, Jialf-blind, he grop his way to wreck vengeance, but t' fates planned otherwise. There is J unexpected and dramatic ending-—ai audiences leave with more belief humanity —and with the sense of ha ing gained new friends —friends nev to be forgotten. It will be screenc on Monday night.
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Shannon News, 10 May 1929, Page 2
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275MAORILAND THEATRE. Shannon News, 10 May 1929, Page 2
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