MAORI LAND THEATRE.

Shannon News, 29 February 1924, Page 3

MAORI LAND THEATRE.

TO-NIGHT.

“THE GDN-FIGHTER.”

The Gamps and Benchleys were t/lie two families which, of a dozen or t ilad &u °oeeded in penetrating the fastnesses oi Cascade Valley. The smoke of their rude cabins signalised civilisation's triumph oy/er nature's barriers. Ihe Camps and Bencm-vs* .within, had opened the valley to the world. Yet none entered/" The two clans made their own little world nanionsb- U^ n each other for ccmpanionsiilp and love. Margery Moore a girl, wanders into their cloister-like habitation and throws both young) men into love with her and thus begins the carnage of a feud.

“SHOOTIN’ FOR LOVE.” MONDAY NIGHT.

Duke Travis had been shell shocked in the World War and like many another victim of the Imjalady a gun would make him jump and writhe in agony. When he came home no mat Mary Randolph, daughter of his father’s neighbour in Texas. He and Mary stepped blithely off the,train at Cactus. City and in the most Jnendly mood. But Bill Randolph grabbed his daughter and old . man Travis grabbled, his soin and yanked them off in different directions. Thu trouble was Travis had refused to release wlater from his reservoir for Randolph’s cattle because Randolph had underbid him at the cattle Jmrket. From then qn Duke and Mu’-.'' were the centre of a gun-toting Texas tea party with their fathers watching <he new generation like hawks. Came a time when a flgjht became unavoidable for Duke, and at the pop c-f the gun he went crazy. Has dad thought he was a coward and disowned him. But ’ere long he redeems himself and wins Mary.